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Des couleurs et de leurs applications aux arts industriels à l’aide des cercles chromatiques pl 09

Des couleurs et de leurs applications aux arts industriels à l’aide des cercles chromatiques pl 09 (1864)

Michel Eugène Chevreul (French, 1786 – 1889)
After the hug

After the hug (1912)

William Ely Hill (American, 1887–1962)
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting (1792)

Francis Wheatley (English, 1747 - 1801)
Mortals & immortals Pl.68

Mortals & immortals Pl.68 (1911)

Carlo de Fornaro (Italian, 1872–1949)
The night before her wedding

The night before her wedding (1893-1900)

Charles Dana Gibson (American, 1867 - 1944)
The Wonders of Culture

The Wonders of Culture (1916-1917)

Louis Raemaekers (Dutch, 1869-1956)
The Chicago platform applied in St. Louis

The Chicago platform applied in St. Louis (1900)

John Samuel Pughe (American, 1870-1909)
‘Dear boy!’ said his mother; ‘your father’s the best man in the world

‘Dear boy!’ said his mother; ‘your father’s the best man in the world (1919)

Jessie Willcox Smith (American, 1863 – 1935)
La collection Kelekian; Étoffes & tapis d’Orient & de Venise Pl.034

La collection Kelekian; Étoffes & tapis d’Orient & de Venise Pl.034 (1900)

Jules Guiffrey (French, 1840 – 1918)
Skandinavier

Skandinavier (1884)

Friedrich Hottenroth (German, 1840-1917)
As you like it; Headings

As you like it; Headings (1900)

Byam Shaw (English, 1872 - 1919)
Armures, armes offensives, blanches et a feu

Armures, armes offensives, blanches et a feu (1876-1888)

Auguste Racinet (French, 1825-1893)
God Appearing to Isaac

God Appearing to Isaac (1723)

Anton Maria Zanetti the Elder (Italian, 1689-1767)
Here’s how!

Here’s how! (1908)

Udo Keppler (American, 1872 – 1956)
The wolf in sheep’s clothing

The wolf in sheep’s clothing (1782–1800)

Thomas Rowlandson (English, 1756-1827)
Nr. 732: ‘King’ [Zigarette]

Nr. 732: ‘King’ [Zigarette] (1912)

Moriz Jung (Austrian, 1885–1915)
Nude VI (Sitting nude woman)

Nude VI (Sitting nude woman) (1918)

Jerzy Hulewicz (Polish, 1886-1941)
On Top: Designed for Lillian Broderick. White gown with bishop sleeves, and blue scarf

On Top: Designed for Lillian Broderick. White gown with bishop sleeves, and blue scarf (1934-1943)

Emile Stoner (American, 19th/20th century)
Broń zaczepna i odporna w Polsce. T. 5, Uzupełnienia Pl.085

Broń zaczepna i odporna w Polsce. T. 5, Uzupełnienia Pl.085 (1875-1900)

Boleslaw Starzyński (Polish, 1834 - 1917)
Habit of a merchant’s wife of Paris in 1640. Merchade de Paris.

Habit of a merchant’s wife of Paris in 1640. Merchade de Paris. (1757-1772)

Charles Grignion (English, 1721–1810)
Easter Monday [Stag Hunting]: A View near Windsor

Easter Monday [Stag Hunting]: A View near Windsor (1817)

Henry Thomas Alken (English, 1785 – 1851)
Design for an advertisement for a tearoom

Design for an advertisement for a tearoom (1895–1897)

Maurice Prendergast (American, 1858-1924)
Collot d’Herbois

Collot d’Herbois

Etienne-Charles Leguay (French, 1762–1846)
Orange river colony

Orange river colony (1902)

A.H. Collins (English, 19th/20th century)
Le prince Pierre d’Arenberg et le comte Hallez-Claparède

Le prince Pierre d’Arenberg et le comte Hallez-Claparède (1905)

Georges Goursat (Sem) (French, 1863–1934)
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen’s Chapel, Westminster

View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen’s Chapel, Westminster (1795)

John Topham (English, 1746–1803)
Street Scene at Sunset

Street Scene at Sunset (1934-1943)

Anonymous
Les femmes révées–ideal beauties. Au bord de la mer–the sea-shore

Les femmes révées–ideal beauties. Au bord de la mer–the sea-shore (1851)

Marie-Alexandre Alophe (French, 1811-1883)
Monuments antiques dessinés Pl.057

Monuments antiques dessinés Pl.057 (1830-1866)

Jean-Baptiste Muret (French, 1795-1866)
Prise de position ; Chevaux galopant, montés par des artilleurs, et traînant un canon

Prise de position ; Chevaux galopant, montés par des artilleurs, et traînant un canon

Constant Eugène de Busschere (Belgian, 1876-1951)