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Max Dearly, Guillaume Guy, Albert Brasseur dans ‘L’amour en banque’ de Louis Artus

Max Dearly, Guillaume Guy, Albert Brasseur dans ‘L’amour en banque’ de Louis Artus (1907)

Yves Marevéry (French, 1888-1914)
Gedenkteken Adriaan van den Ende

Gedenkteken Adriaan van den Ende (1846)

Pieter Wilhelmus van de Weijer (Dutch, 1816-1880)
Die zaait, [zal oogsten]

Die zaait, [zal oogsten] (1875 - 1900)

Jan de Waardt (Dutch, 19th Century)
Bifur – maquette de décor – Épilogue – ma maison de Claire, en haute montagne, la nuit

Bifur – maquette de décor – Épilogue – ma maison de Claire, en haute montagne, la nuit (1932)

Gaston Baty (French, 1885 – 1952)
Lady writing a love letter

Lady writing a love letter (ca. 1780–1825)

Thomas Rowlandson (English, 1756-1827)
Philip Azarie Poirier

Philip Azarie Poirier (1904)

Anonymous
Fragment d’un plafond mauresque (XVIIIe. siècle)

Fragment d’un plafond mauresque (XVIIIe. siècle) (1877)

Émile Prisse d'Avennes (French, 1807-1879)
From the battles in the Carpathians, memories from the trenches Pl.2

From the battles in the Carpathians, memories from the trenches Pl.2 (1913-1915)

Carl Benesch (Austrian, 20th Century)
Armanite

Armanite (1910-1950)

Laboratoires de l'Armanite Perrotin (French, 20th Century)
Coat of Arms with John Sullivan inscribed below

Coat of Arms with John Sullivan inscribed below

Joseph Callender (American, 1751-1821)
L’Uraeus, emblblême du Saté.

L’Uraeus, emblblême du Saté. (1823 - 1825)

Léon-Jean-Joseph Dubois (French, 1780-1846)
Progress of Cotton; #11 – Dying

Progress of Cotton; #11 – Dying (1840)

James Richard Barfoot (English, 1794-1863)
View of a Village with a Windmill

View of a Village with a Windmill

Amedée Lynen (Belgian, 1852–1938)
Picking Peaches in Delaware

Picking Peaches in Delaware (c. 1878)

Winslow Homer (American, 1836-1910)
Sketches of costume Pl.086

Sketches of costume Pl.086 (1842)

John Richard Coke Smyth (English, 1808-1882)
Wiewióreczki Pl.1

Wiewióreczki Pl.1 (1936)

J. Hurwicz (Polish, 19th/20th century)
L’esposizione marittima visitata da Dante e Virgilio Pl.03

L’esposizione marittima visitata da Dante e Virgilio Pl.03 (1871)

Antonio Manganaro (Italian, 1842-1920)
Philip Barton Warren

Philip Barton Warren

Anonymous
Reconstruction of the Mausoleum of Hadrian (above) and a View of the Castel S. Angelo (below)

Reconstruction of the Mausoleum of Hadrian (above) and a View of the Castel S. Angelo (below) (before 1704)

Jan Goeree (Dutch, 1670-1731)
London town Pl.34

London town Pl.34 (1883)

Ellen Elizabeth Houghton (English, 1853-1922)
La belle épingle

La belle épingle

Félix Vallotton (French, 1865-1925)
Nr. 497: ‘Der Wärwolf’

Nr. 497: ‘Der Wärwolf’ (1911)

Josef von Diveky (Hungarian, 1887-1951)
What I was, what I am, what I should be – Thief

What I was, what I am, what I should be – Thief (1797)

Anonymous
Politicians – ‘One of those’. Sir Walter Barttelot Bartte-lot. Oct 23, 1886

Politicians – ‘One of those’. Sir Walter Barttelot Bartte-lot. Oct 23, 1886 (1886)

Leslie Matthew Ward (English, 1851-1922)
Reims

Reims (1915)

Anonymous
Gefangen (Zelt, Opus XIV, 1. Teil, Nr. 22)

Gefangen (Zelt, Opus XIV, 1. Teil, Nr. 22) (1915)

Max Klinger (German, 1857-1920)
Plate 7, The Idle ‘Prentice Returned from Sea and in a Garret with a Common Prostitute

Plate 7, The Idle ‘Prentice Returned from Sea and in a Garret with a Common Prostitute (1747)

William Hogarth (English, 1697-1764)
Abbildungen zu Oken’s Allgemeiner Naturgeschichte für alle Stände Pl.059

Abbildungen zu Oken’s Allgemeiner Naturgeschichte für alle Stände Pl.059 (1841)

Lorenz Oken (German, 1779 – 1851)
Esterka

Esterka (1921)

Edmund Bartłomiejczyk (Polish, 1885-1950)
Mortals & immortals Pl.19

Mortals & immortals Pl.19 (1911)

Carlo de Fornaro (Italian, 1872–1949)