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Illustration

Decoration, interpretation or visual explanation of a text, concept or process, designed for integration in published media, such as posters, flyers, magazines.

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Journal des Dames et des Modes, Costumes Parisiens

Journal des Dames et des Modes, Costumes Parisiens (1913)

B Berty
Vous qui connaissez les bons Boins, trouvez-moi un joli petit tabouret Louis XV !

Vous qui connaissez les bons Boins, trouvez-moi un joli petit tabouret Louis XV ! (1912)

Georges Goursat (Sem) (French, 1863–1934)
Izeilis

Izeilis

Anonymous
Hamlet; Act V Scene I

Hamlet; Act V Scene I (1900)

Byam Shaw (English, 1872 - 1919)
Mrs. Benjamin Harrison

Mrs. Benjamin Harrison (1888)

John H. Bufford's & Sons (American, 19th Century)
Großer‎ ‎Ozean, Ehemalige‎ ‎deutsche‎ ‎Schutzgebiete

Großer‎ ‎Ozean, Ehemalige‎ ‎deutsche‎ ‎Schutzgebiete (1930)

Carl Diercke (German, 1842-1913)
Ōtomo no Sadehiko Leaving Sayohime to Invade Korea

Ōtomo no Sadehiko Leaving Sayohime to Invade Korea (1879)

Tsukioka Yoshitoshi (Japanese, 1839-1892)
Resurrection, plate 12 from the portfolio ‘Faces’

Resurrection, plate 12 from the portfolio ‘Faces’ (1918)

Max Beckmann (German, 1884 – 1950)
Misery in the snow

Misery in the snow (1912)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
A great hand

A great hand (1902)

Walter H. Gallaway (American, 1870-1911)
French Rose and Apple

French Rose and Apple (1561–1596)

Joris Hoefnagel (Flemish, 1542-1600)
Woman with Peacocks (La Femme au Paon)

Woman with Peacocks (La Femme au Paon) (ca. 1897)

Louis Rhead (American, 1857-1926)
What a treat!.

What a treat!. (1829)

William Heath (English, 1794-1840)
Court game of geography Pl.01

Court game of geography Pl.01 (1838-1855)

William and Henry Rock (English, 19th Century)
Styron: Molding Industrial Progress

Styron: Molding Industrial Progress (1939)

Dow Chemical Company (American, 19th/20th Century)
Maman a écrit à mosieu Prosper et papa a vu la lettre. Ô il était joliment en colère papa. parceque maman avait fai

Maman a écrit à mosieu Prosper et papa a vu la lettre. Ô il était joliment en colère papa. parceque maman avait fai (1838-1840)

Paul Gavarni (French, 1804-1866)
Au couvent

Au couvent (1880)

Eugène Burnand (Swiss, 1850-1921)
Veuve Joyeuse

Veuve Joyeuse (1925)

G-P. Joumard (French, 19th/20th century)
Alphabet After Serlio

Alphabet After Serlio (1902)

Frank Chouteau Brown (American, 1876 – 1947)
Hudibras Encounters the Skimmington (no.12)

Hudibras Encounters the Skimmington (no.12)

William Hogarth (English, 1697-1764)
Chaise F. de Lesseps ; Fauteuil F. de Lesseps

Chaise F. de Lesseps ; Fauteuil F. de Lesseps (1832 - 1904)

Victor Léon Michel Quétin (French, 19th Century)
Triumph of love and folly.

Triumph of love and folly. (1812)

William Elmes (English, active 1811–1820)
Scarabé

Scarabé (1922)

Micheline (French, 19th/20th century)
Tulumbas. Verkh tulumbasa. Dno. Voshchaga

Tulumbas. Verkh tulumbasa. Dno. Voshchaga (1849 - 1853)

Fedor Grigoryevich Solntsev (Russian, 1801 – 1892)
Our Uncharted Coast – Very dangerous

Our Uncharted Coast – Very dangerous (1916)

Charles Dana Gibson (American, 1867 - 1944)
Farmer Boys

Farmer Boys (1912 - 1924)

Will R. Barnes (American, ?-1939)
The modern Ophelia, or ‘The Doomed one’

The modern Ophelia, or ‘The Doomed one’ (1845-1847)

John Doyle (Irish, 1797 – 1868)
Half octagonal room with fireplace (Act 3, sc.3)

Half octagonal room with fireplace (Act 3, sc.3) (1859)

John K. Chapman & Co. (English, 19th Century)
The baptism of an Ethiopian queen’s courtier

The baptism of an Ethiopian queen’s courtier (1740)

Christian Wilhelm Ernst Dietrich (German, 1712-1774)
Seven of Batons

Seven of Batons (1751)

Claude Burdel (Swiss, 1727-1799)
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