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Bounded by Bayard Street, Graham Avenue, Meeker Avenue, N. Henry Street, Herbert Street, Kingsland Avenue, Division Place, Morgan Avenue, Teneyck Street and Union Avenue

Bounded by Bayard Street, Graham Avenue, Meeker Avenue, N. Henry Street, Herbert Street, Kingsland Avenue, Division Place, Morgan Avenue, Teneyck Street and Union Avenue (1908)

George Washington Bromley (American, 1857-1929)
Das Seeungeheuer (The Sea-monster)

Das Seeungeheuer (The Sea-monster) (1915)

Hans Thoma (German, 1839-1924)
La Justice et la Paix ramenant l’Abondance

La Justice et la Paix ramenant l’Abondance (1856)

Edme Lordereau (French, 1801-1868)
Picken’s Exciting Summer pl2

Picken’s Exciting Summer pl2 (1949)

Norman Davis (American, 1907-)
Pastry Shop

Pastry Shop (ca. 1850)

Francisco Fierro (Peruvian, 1807–1879)
Ex libris van Emil W. Netter

Ex libris van Emil W. Netter (1894 - 1943)

Michel Fingesten (Czech, 1884-1943)
Les Cythères parisiennes

Les Cythères parisiennes (1863)

Félicien Rops (Belgian, 1833-1898)
A head of hair for sale

A head of hair for sale (1860)

Sir John Everett Millais (English, 1829-1896)
Gill’s nineteenth annual exhibition

Gill’s nineteenth annual exhibition

Will Bradley (American, 1868 – 1962)
A live jackass kicking a dead lion

A live jackass kicking a dead lion (1870)

Thomas Nast (American, 1840-1902)
Portret van Henriëtte Haitsma Mulier

Portret van Henriëtte Haitsma Mulier (1924)

Simon Moulijn (Dutch, 1866–1948)
Spaarne gezien vanaf de Melkbrug ziende naar het Noorden ‘Het Binnen Spaarne te Haarlem bij de Stadswaag te zien’

Spaarne gezien vanaf de Melkbrug ziende naar het Noorden ‘Het Binnen Spaarne te Haarlem bij de Stadswaag te zien’ (1794)

Pieter Toornenburg
Mark Anthony & Cleopatra

Mark Anthony & Cleopatra (1788)

Capt. Francis Grose (English, 1731 – 1791)
Deutsche

Deutsche (1884)

Friedrich Hottenroth (German, 1840-1917)
The Woodcutter in the Tontlawald

The Woodcutter in the Tontlawald (1906)

Henry Justice Ford (English, 1860–1941)
First to fight – U.S. Marines, soldiers that go to sea

First to fight – U.S. Marines, soldiers that go to sea (1900)

Wyanoak Publishing Co.
Letter U

Letter U (1745-1765)

Mauro Poggi (Italian, 18th Century)
Male Nude Seated from Panel of ‘God Separating the Waters…’

Male Nude Seated from Panel of ‘God Separating the Waters…’ (1550-1585)

Adamo Scultori (Italian, 1530 – 1585)
Przegląd Mody R.09, nr 05 Pl.5

Przegląd Mody R.09, nr 05 Pl.5 (1931)

Maria Grydzewska (Editor) (Polish, 20th Century)
Bavarian bock

Bavarian bock (1887)

Henry Jerome Schile (American, 1829-1901)
My people

My people (1915)

William Henry Walker (American, 1871-1938)
Pheasant’s Eye and Buttercup

Pheasant’s Eye and Buttercup (1561–1596)

Joris Hoefnagel (Flemish, 1542-1600)
The socialist tower of babel

The socialist tower of babel (1906)

Udo Keppler (American, 1872 – 1956)
Masks and faces, 5; Sharers, You have never in my life given me anything but a little dog . . .

Masks and faces, 5; Sharers, You have never in my life given me anything but a little dog . . . (1852)

Paul Gavarni (French, 1804-1866)
Antonio is not afraid of the Ogre

Antonio is not afraid of the Ogre (1905)

Henry Justice Ford (English, 1860–1941)
Vrouwe van Culemborg

Vrouwe van Culemborg (1590-1593)

Nicolaes de Kemp (Dutch, 1574 – 1647)
How Doth the Little Busy Bee

How Doth the Little Busy Bee

Jessie Willcox Smith (American, 1863 – 1935)
Businessmen and Empire Builders; ‘He has Engineered nothing Better than his Own Fortune’, Sir John Wolfe-Barry, January 26, 1905

Businessmen and Empire Builders; ‘He has Engineered nothing Better than his Own Fortune’, Sir John Wolfe-Barry, January 26, 1905 (1905)

Leslie Matthew Ward (English, 1851-1922)
Das Theater – Buhnenbilder und Kostume Pl.14

Das Theater – Buhnenbilder und Kostume Pl.14 (1912)

Karl Walser (Swiss, 1877-1943)
Collection Julien Gréau. Verrerie antique, émaillerie et poterie appartenant à M. John Pierpont Morgan Pl.60

Collection Julien Gréau. Verrerie antique, émaillerie et poterie appartenant à M. John Pierpont Morgan Pl.60 (1903)

G. Massias (French, 19th/20th century)