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Iwai Shijaku no Miyahime

Iwai Shijaku no Miyahime (1831)

Toyokuni Utagawa (Japanese, 1769-1825)
The Kōrin Picture Book Pl.01

The Kōrin Picture Book Pl.01 (1800s)

Hōchū Nakamura (Japanese, 1790-1813)
Unai no tomo Pl. 169

Unai no tomo Pl. 169 (1913)

Shimizu Seifū (Japanese, 1851-1913)
Water Margin Bandits

Water Margin Bandits (late 1700s-early 1800s)

Matsumura Goshun
Miyamoto Musashi Slashing a Tengu

Miyamoto Musashi Slashing a Tengu (1865)

Tsukioka Yoshitoshi (Japanese, 1839-1892)
Ōmori Hikoshichi Meets a Demon on the Road

Ōmori Hikoshichi Meets a Demon on the Road (1889)

Tsukioka Yoshitoshi (Japanese, 1839-1892)
Women Traveling, Some on Horseback

Women Traveling, Some on Horseback (19th century)

Kunichika Toyohara (Japanese, 1835 – 1900)
The Actors Arashi Kitsusaburō II as the Hairdresser Kamiyui Tasuke, and Arashi Koroku IV as Gonza the Lancer (Yari no Gonza)

The Actors Arashi Kitsusaburō II as the Hairdresser Kamiyui Tasuke, and Arashi Koroku IV as Gonza the Lancer (Yari no Gonza) (1824)

Gigadō Ashiyuki (Japanese, active 1813-34)
The Niwaka Performance

The Niwaka Performance (18th century)

Katsukawa Shunzan (Japanese, active c. 1782- 1798)
Noblewomen of the Tokugawa Period; Thirty-six Beauties (Sanjuroko kasensoro) Pl.20

Noblewomen of the Tokugawa Period; Thirty-six Beauties (Sanjuroko kasensoro) Pl.20 (1891–1893)

Toshikata Mizuno (Japanese, 1866-1908)
A Prunus in the Moonlight

A Prunus in the Moonlight (1300s)

Wang Mian
Gathering at a Teahouse on the Bank of the Sumida River

Gathering at a Teahouse on the Bank of the Sumida River (c. 1788-90)

Chōbunsai Eishi (Japanese, 1756-1829)
Azuma nishikie Pl.81

Azuma nishikie Pl.81 (1860)

Various Artists
Suma, from the series ‘A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)’

Suma, from the series ‘A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)’ (c. 1789-94)

Chōbunsai Eishi (Japanese, 1756-1829)
Sketchbook Pl.090

Sketchbook Pl.090 (1826-1840)

Ariyoshi Kondo (Japanese, active 1830 - 1850)
Ranguun no kinto (Golden pagoda in Rangoon)

Ranguun no kinto (Golden pagoda in Rangoon) (1931)

Yoshida Hiroshi (Japanese, 1876-1950)
Masterpieces selected from the Ukiyoyé School, Pl.27

Masterpieces selected from the Ukiyoyé School, Pl.27 (1906)

Shiichi Tajima (Japanese, 1869-1920)
A Couple

A Couple (late 1500s)

Hasegawa Sōen
The moon’s inner vision (Shinkan no tsuki)

The moon’s inner vision (Shinkan no tsuki) (1885-1892)

Tsukioka Yoshitoshi (Japanese, 1839-1892)
Iwai Hanshirō V in the Role of Shirai Gonpachi

Iwai Hanshirō V in the Role of Shirai Gonpachi (1847)

Utagawa Kuniyoshi (Japanese, 1797-1861)
Keinen shūgajō Pl.49

Keinen shūgajō Pl.49 (1906)

Imao Keinen (Japanese, 1845 – 1924)
Yōfu gajō, Pl.24

Yōfu gajō, Pl.24 (1895-1898)

Anonymous
Keinen kachō gafu Pl.010

Keinen kachō gafu Pl.010 (1891)

Imao Keinen (Japanese, 1845 – 1924)
Standing woman

Standing woman (1920)

Hashiguchi Goyō (Japanese, 1881-1921)
Autumn Landscape

Autumn Landscape (1598-1652)

Chen Hongshou (Chinese, 1598–1652)
Bairei gafu, Pl.44

Bairei gafu, Pl.44 (1905)

Kōno Bairei (Japanese, 1844-1895)
Minakuchi

Minakuchi (ca. 1841–1842)

Andō Hiroshige (Japanese, 1797 – 1858)
Tagonoura, near Fuji

Tagonoura, near Fuji (1897)

Kobayashi Kiyochika (Japanese, 1847-1915)
White-Robed Guanyin

White-Robed Guanyin (late 1200s–early 1300s)

Jueji Yongzhong
ABC zuan Pl.18

ABC zuan Pl.18 (1918)

Zuan Kenkyūkai (Japanese, 19th/20th Century)