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Théophile Alexandre Steinlen
Théophile Alexandre Steinlen

Théophile Alexandre Steinlen

Swiss, 1859-1923
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Théophile Alexandre Steinlen, was a Swiss-born French Art Nouveau painter and printmaker.

Born in Lausanne, Steinlen studied at the University of Lausanne before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. In his early twenties he was still developing his skills as a painter when he and his wife Emilie were encouraged by the painter François Bocion to move to the artistic community in the Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette who introduced him to the artistic crowd at Le Chat Noir that led to his commissions to do poster art for the cabaret owner/entertainer, Aristide Bruant and other commercial enterprises.

In the early 1890s, Steinlen's paintings of rural landscapes, flowers, and nudes were being shown at the Salon des Indépendants. His 1895 lithograph titled Les Chanteurs des Rues was the frontispiece to a work entitled Chansons de Montmartre published by Éditions Flammarion with sixteen original lithographs that illustrated the Belle Époque songs of Paul Delmet. His permanent home, Montmartre and its environs, was a favorite subject throughout Steinlen's life and he often painted scenes of some of the harsher aspects of life in the area. His daughter Colette was featured in much of his work. In addition to paintings and drawings, he also did sculpture on a limited basis, most notably figures of cats that he had great affection for as seen in many of his paintings. Steinlen included cats in many of his illustrations, and even published a book of his designs, "Dessins Sans Paroles Des Chats."

Steinlen became a regular contributor to Le Rire and Gil Blas magazines plus numerous other publications including L'Assiette au Beurre and Les Humouristes, a short-lived magazine he and a dozen other artists jointly founded in 1911. Between 1883 and 1920, he produced hundreds of illustrations, a number of which were done under a pseudonym so as to avoid political problems because of their harsh criticisms of societal ills. His art influenced the work of other artists, including Pablo Picasso.

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Nu féminin, assis, de dos

Nu féminin, assis, de dos (1914)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Oeuvre du Vestiaire du XVIIIe Arrondissement

Oeuvre du Vestiaire du XVIIIe Arrondissement (1903)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
On détrousse au coin des lois

On détrousse au coin des lois (1898)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Organisation

Organisation (1917)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Ouvriers sortant de l’usine

Ouvriers sortant de l’usine (1903)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Paris la nuit

Paris la nuit (1903)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Pauvre Pandore!

Pauvre Pandore! (1894)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Permissionnaires n° 1

Permissionnaires n° 1 (1916)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Permissionnaires n° 2

Permissionnaires n° 2 (1916)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Petit mari, Poésie de L. Durocher

Petit mari, Poésie de L. Durocher (1897)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Philosophe

Philosophe (1893)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Poilus en marche

Poilus en marche (1916)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Portrait d’homme à binocles

Portrait d’homme à binocles

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Premier mai

Premier mai (1894)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Prière Marmitale

Prière Marmitale (1894)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Prière marmitale

Prière marmitale (1894)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Programme pour une matinée au Trocadéro

Programme pour une matinée au Trocadéro (1903)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Programme, Grande fête de bienfaisance organisée au bénéfice de l’oeuvre du vestiaire du XVIIIe arrondissement

Programme, Grande fête de bienfaisance organisée au bénéfice de l’oeuvre du vestiaire du XVIIIe arrondissement (1903)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Quand nous serons vieux

Quand nous serons vieux (1897)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Racahout des Arabes

Racahout des Arabes (1905)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Racahout des Arabes

Racahout des Arabes (1905)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Ravitaillement en première ligne

Ravitaillement en première ligne (1917)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Récidiviste

Récidiviste (1893)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Réhabilitation civile et exécution militaire

Réhabilitation civile et exécution militaire (1897)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Retour en arrière

Retour en arrière (1894)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Rochefort se meurt! Rochefort est mort!

Rochefort se meurt! Rochefort est mort! (1898)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Rupture d’Automne

Rupture d’Automne (1899)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Saluons-les!

Saluons-les! (1899)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Sans le sou!

Sans le sou! (1894)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
Seuls, quand même!

Seuls, quand même! (1916)

Théophile Alexandre Steinlen (Swiss, 1859-1923)
Illustration
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