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Józef Simmler
Józef Simmler

Józef Simmler

Polish, 1823-1868
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Józef Simmler was a Polish painter known for his classical style and his Polish subjects.

Simmler came from a wealthy German Protestant family. It was this affluent upbringing that allowed him to pursue his interest in cities like Dresden, Munich and Paris.

Perhaps his most famous work is "Death of Barbara Radziwillowna" ("Śmierć Barbary Radziwiłłówny"), an oil on canvas work completed in 1860. The painting gained immense popularity when the Warsaw-based Society for the Promotion of the Fine Arts, a newly formed institution with the goal of encourage and promote domestic art and artists, put it on exhibit in 1861. It now hangs in the National Museum, Warsaw. His other famous paintings are “Children of King Edward” (1847) and “Portrait of a Nobleman with a Parrot” (1859).

Józef Simmler's major contribution to Polish art is the humaneness that his paintings evoked. He was a specially gifted portraitist. Using styles of costume paintings prevalent in France, he produced works that allowed the public a view of the past. His paintings, however, were more than just reproductions of history. The masterful works also gave a deep sense of compassion, dread, and tenderness.

His daughter's brother-in-law was Eduard Strasburger, the famous Polish-German botanist. One of Simmler's grandsons was Henryk Leon Strasburger, a Polish delegate to the League of Nations.

303 items

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Portrait study of Jadwiga Łuszczewska – Deotyma

Portrait study of Jadwiga Łuszczewska – Deotyma (1855)

Józef Simmler (Polish, 1823-1868)
Drawings
Projekt winiety dla wydawnicwtwa

Projekt winiety dla wydawnicwtwa (1858)

Józef Simmler (Polish, 1823-1868)
Drawings
Przerys szkicu kompozycyjnego do obrazu ‘Szaleństwo króla Eryka’

Przerys szkicu kompozycyjnego do obrazu ‘Szaleństwo króla Eryka’ (1860)

Józef Simmler (Polish, 1823-1868)
Drawings
Road in the woods

Road in the woods (1846)

Józef Simmler (Polish, 1823-1868)
Drawings
Rozmowa Chrystusa z Nikodemem

Rozmowa Chrystusa z Nikodemem (1862)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch for the painting ‘Farewell to Wacław with Maria’ (the theme taken from the poem ‘Maria’ by Antoni Malczewski)

Sketch for the painting ‘Farewell to Wacław with Maria’ (the theme taken from the poem ‘Maria’ by Antoni Malczewski) (1847)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of a nude female

Sketch of a nude female (1842)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of a nude male

Sketch of a nude male (1842)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of angel for the painting ‘The Immaculate Conception’

Sketch of angel for the painting ‘The Immaculate Conception’ (1864)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of Catherine Jagiellon with son Sigismund and John, Grand Duke of Finland, to the painting ‘Catherine Jagiellon in Gripsholm Prison’

Sketch of Catherine Jagiellon with son Sigismund and John, Grand Duke of Finland, to the painting ‘Catherine Jagiellon in Gripsholm Prison’ (1858)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of crucifix for the painting ‘Queen Jadwiga’s Oath’

Sketch of crucifix for the painting ‘Queen Jadwiga’s Oath’ (1867)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of head and studies of hands of Gniewosz of Dalewice; studies of Jagiełło’s hands for the painting ‘Queen Jadwiga’s Oath’

Sketch of head and studies of hands of Gniewosz of Dalewice; studies of Jagiełło’s hands for the painting ‘Queen Jadwiga’s Oath’ (1867)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of limestone outliers (near the Ogrodzieniec Castle)

Sketch of limestone outliers (near the Ogrodzieniec Castle) (1860)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of nude male to the painting ‘Martyrdom of St. Matthias’

Sketch of nude male to the painting ‘Martyrdom of St. Matthias’ (1866-1867)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of nude men to the scene with Nicodemus and Joseph of Arimathea supporting the dead body of Christ to the painting ‘Entombment’

Sketch of nude men to the scene with Nicodemus and Joseph of Arimathea supporting the dead body of Christ to the painting ‘Entombment’ (1850)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the composition ‘Martyrdom of St. Stanislaus’

Sketch of the composition ‘Martyrdom of St. Stanislaus’ (1860)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the composition ‘Mermaids luring a young man’

Sketch of the composition ‘Mermaids luring a young man’ (1848)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the composition to the scene from the first act of the ‘Giselle’ ballet

Sketch of the composition to the scene from the first act of the ‘Giselle’ ballet (1855)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the figure of Gniewosz of Dalewice and a nobleman for the painting ‘Queen Jadwiga’s Oath’

Sketch of the figure of Gniewosz of Dalewice and a nobleman for the painting ‘Queen Jadwiga’s Oath’ (1867)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the figure of Queen Jadwiga and Jaśko of Tęczyn for the painting ‘Queen Jadwiga’s Oath’

Sketch of the figure of Queen Jadwiga and Jaśko of Tęczyn for the painting ‘Queen Jadwiga’s Oath’ (1867)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the figure to the group of the Virgin Mary and Mary Magdalene to the painting ‘Entombment’

Sketch of the figure to the group of the Virgin Mary and Mary Magdalene to the painting ‘Entombment’ (1850)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the group of the Virgin Mary and Mary Magdalene to the painting ‘Entombment’

Sketch of the group of the Virgin Mary and Mary Magdalene to the painting ‘Entombment’ (1850)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the group of witnesses to the death of St. Matthias to the painting ‘Martyrdom of St. Matthias’

Sketch of the group of witnesses to the death of St. Matthias to the painting ‘Martyrdom of St. Matthias’ (1866-1867)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the high priest to the painting ‘Martyrdom of St. Matthias’

Sketch of the high priest to the painting ‘Martyrdom of St. Matthias’ (1866-1867)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the king figure for the painting ‘Death of Barbara Radziwiłł’ (nude)

Sketch of the king figure for the painting ‘Death of Barbara Radziwiłł’ (nude) (1860)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the king figure for the painting ‘Death of Barbara Radziwiłł’

Sketch of the king figure for the painting ‘Death of Barbara Radziwiłł’ (1860)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the Psyche character to the ceiling ‘Wedding procession of Cupid and Psyche’

Sketch of the Psyche character to the ceiling ‘Wedding procession of Cupid and Psyche’ (1863)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the queen figure for the painting ‘Queen Jadwiga’s Oath’

Sketch of the queen figure for the painting ‘Queen Jadwiga’s Oath’ (1867)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the queen figure for the painting ‘Queen Jadwiga’s Oath’

Sketch of the queen figure for the painting ‘Queen Jadwiga’s Oath’ (1867)

Józef Simmler (Polish, 1823-1868)
Drawings
Sketch of the ruins of the castle in Smoleń

Sketch of the ruins of the castle in Smoleń (1860)

Józef Simmler (Polish, 1823-1868)
Drawings
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