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Suprematism (1915)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Modification of Tone and Hue of a Colour when placed on or near Different Colours (1912)
James Ward
(Irish, 1851–1924)
Abstract
Ruiter (1920)
Reijer Stolk
(Dutch, 1896 - 1945)
Abstract
Group IV, No. 3. The Ten Largest, Youth (1907)
Hilma af Klint
(Swedish, 1862 – 1944)
Abstract
Design for stained glass (late 19th century)
Anonymous
Abstract
Large cross in black over red on white (1920)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Group IX,SUW No. 8, The Swan, No. 8 (1915)
Hilma af Klint
(Swedish, 1862 – 1944)
Abstract
The Rhine at Duisburg (1937)
Paul Klee
(German, 1879 - 1940)
Abstract
Typografische banden (1890)
Johanna van de Kamer
(Dutch, 1883 - 1922)
Abstract
Shadow (1930)
Mikuláš Galanda
(Slovak, 1895 – 1938)
Abstract
Rising, Falling, Clinging, Flying (1934)
Sophie Taeuber-Arp
(Swiss, 1889-1943)
Abstract
Construction (1924)
László Moholy-Nagy
(Hungarian, 1895 - 1946)
Abstract
Idle Governor (ca. 1940)
Horatio C. Forjohn
(American, 1911-1943)
Abstract
Study in Rhythm, Red and Gold (ca. 1934)
Joseph Schillinger
(American, 1895 – 1943)
Abstract
Composition (1924)
Hendrik Nicolaas Werkman
(Dutch, 1882 – 1945)
Abstract
Stricken City (1936)
Paul Klee
(German, 1879 - 1940)
Abstract
Tile Design (1880–99)
Frederick Krieg
(American, 1852-1932)
Abstract
composition (around 1932)
Otto Freundlich
(German, 1878-1943)
Abstract
Art – Goût – Beauté, Feuillets de l’ élégance féminine, Juin 1932, No. 142, 12e Année (1932)
H. Rouit
(French, 20th Century)
Abstract
Det syke øyet. Optiske illusjoner (1930)
Edvard Munch
(Norwegian, 1863 - 1944)
Abstract
Femme Assise (Seated Woman) (c. 1917)
María Blanchard
(Spanish, 1881 – 1932)
Abstract
Vera (before 1919)
Anonymous
Abstract
The Primaries, Red, Green and Ultramarine-Blue, with their Complementaries, or Secondaries, Blue-Green, Purple and Yellow. (1912)
James Ward
(Irish, 1851–1924)
Abstract
Proun 99 (ca. 1923–25)
El Lissitzky
(Russian, 1890-1941)
Abstract
Composition Abstraite (1936-38)
Otto Freundlich
(German, 1878-1943)
Abstract
Composition with Four Black, One White, and Two Grey Elements (1920)
Kazimir Malevich
(Russian, 1879 – 1935)
Abstract
Five pairs of Complementary Colours forming a Chromatic Circle. Each Colour has its Complementary directly opposite (1912)
James Ward
(Irish, 1851–1924)
Abstract
Untitled
Anonymous
Abstract
L.AL I (1936)
László Moholy-Nagy
(Hungarian, 1895 - 1946)
Abstract
Blue Gray Violet Wheel (ca. 1934)
Joseph Schillinger
(American, 1895 – 1943)
Abstract
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Abstract
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