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Ivan Ivanec - Żołnierz przy osiodłanych koniach

Żołnierz przy osiodłanych koniach (1914-1918)

Ivan Ivanec (Ukrainian, 1893–1946)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1946 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Ivan Ivanec

Ivan Ivanec was a Ukrainian painter, graphic artist and art critic. His father, I. Ivanec, was a priest; his mother, M. Roshkevych, a writer. He studied painting in the Lviv studio of S. Batovskyi-Kachur (1912-1914). At the outbreak of World War I, he joined the ranks of the Sich-Riflemen and later became a Lieutenant in the Ukrainian Galician Army. He was a founding member (together with Yu. Butsmaniuk, P. Kholodnyi, Jr., O. Kurylas, Yu. Nazarak, and L. Perfeckyi) of the Press Section of the Ukrainian Sich-Riflemen and illustrator for their publication Chervona kalyna [Red Guelder-Rose Bush] and others.

He created cycles of drawings that documented the battle lines of the Sich-Riflemen, their underground lifestyle, and scenes of warfare. In 1922, he was held as a prisoner of war in Liberec, Czechoslovakia, with other soldiers of the Ukrainian Galician Army. He Participated in the cultural-artistic exhibitions of the internment camps organized in Josefov, Czechoslovakia, and worked on the journal Skytalets [Pilgrim]. After the war, in Prague, he studied at the Ukrainian Studio of Plastic Arts with I. Kulec and S. Mako (1923-1927) while concurrently completing a law degree at Charles University (1926).

He moved back to Lviv and lived there from 1927-1944. He joined ANUM, participated in exhibitions of the Lviv Professional Union of Plastic Artists (1932-1939), and organized the “Memorial Exhibition of the Ukrainian Sich-Riflemen” (Lviv, 1934). After joining SUOM, he served twice as its head (1942, 1944). He was appointed Director of the Lviv Picture Gallery from 1942 to 1944. In 1945, he left Lviv for Krakow, only to be arrested by the NKVD and sent to Siberia. In 1952, the Soviets ordered destruction of 720 of his works housed in the National Museum in Lviv. Surviving works can be found in museums and private collections in Lviv, Slovakia, the Czech Republic (Prague, Ostrava), and the United States.

More Artworks by Ivan Ivanec (View all 168 Artworks)

Studium postaci starej kobiety

Studium postaci starej kobiety (1942)

Ivan Ivanec (Ukrainian, 1893–1946)
Zagroda

Zagroda (1915-1940)

Ivan Ivanec (Ukrainian, 1893–1946)
Studium popiersia mężczyzny

Studium popiersia mężczyzny (1944)

Ivan Ivanec (Ukrainian, 1893–1946)
Husaria w walce

Husaria w walce (1930)

Ivan Ivanec (Ukrainian, 1893–1946)
Luźne szkice koni

Luźne szkice koni

Ivan Ivanec (Ukrainian, 1893–1946)
Postać starej kobiety pochylonej nad stołem

Postać starej kobiety pochylonej nad stołem (1940)

Ivan Ivanec (Ukrainian, 1893–1946)
Ułani niemieccy na koniach

Ułani niemieccy na koniach (1915)

Ivan Ivanec (Ukrainian, 1893–1946)
pejzaż z rzeką

pejzaż z rzeką (1944)

Ivan Ivanec (Ukrainian, 1893–1946)
Górzysty krajobraz z mostem

Górzysty krajobraz z mostem (1943)

Ivan Ivanec (Ukrainian, 1893–1946)
Żołnierz Legionu Ukraińskich Strzelców Siczowych siedzący na wozie taborowym

Żołnierz Legionu Ukraińskich Strzelców Siczowych siedzący na wozie taborowym (1915)

Ivan Ivanec (Ukrainian, 1893–1946)
Scena z cyrku – jeździec na koniu

Scena z cyrku – jeździec na koniu (1932)

Ivan Ivanec (Ukrainian, 1893–1946)
Pokój Karmazynowy w Pałacu w Podhorcach

Pokój Karmazynowy w Pałacu w Podhorcach (1940)

Ivan Ivanec (Ukrainian, 1893–1946)
scena rodzajowa.

scena rodzajowa. (1929)

Ivan Ivanec (Ukrainian, 1893–1946)
Studia łbów końskich

Studia łbów końskich (1912-1915)

Ivan Ivanec (Ukrainian, 1893–1946)
Popiersie szczupłego mężczyzny

Popiersie szczupłego mężczyzny (1944)

Ivan Ivanec (Ukrainian, 1893–1946)
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