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William Heath - You never ketches me a woyaging no more. I’ve had a nut on it

You never ketches me a woyaging no more. I’ve had a nut on it (1827-1829)

William Heath (English, 1794-1840)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1840 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

William Heath was a British artist who once described himself as a "portrait & military painter." He was best known for his published engravings which included caricatures, political cartoons, and commentary on contemporary life.

Heath was born in Northumberland, England. His early works often dealt with military scenes, including colour plates for The Martial Achievements, The Wars of Wellington, etc., but from about 1820 on he focused on satire.

Between 1827 and 1829, many of his works were published under the pseudonym "Paul Pry" (the name of an overly inquisitive stage character in a popular 1825 stage comedy by John Poole); also used the pseudonym Argus. He was described by Dr John Brown, biographer of John Leech as "poor Heath, the ex-Captain of Dragoons, facile and profuse, unscrupulous and clever".

Heath helped found an early caricature magazine, The Glasgow Looking Glass (renamed to The Northern Looking Glass after five issues). Heath created a numbered series of political caricatures between 1830 and 1834 for McLean's Monthly.

He died in Hampstead and was buried on the western side of Highgate Cemetery. His grave (no.124) no longer has a headstone or any identifying marker. The British Museum catalogue has over 160 works by Heath.

In Collection: British Cartoons (View all 1227)

The Charleys in grief or the funeral of the city watch boxe’s.

The Charleys in grief or the funeral of the city watch boxe’s. (1829)

William Heath (English, 1794-1840)
The mischief of Methodism.

The mischief of Methodism. (19th century)

Anonymous
The Farmers Toast

The Farmers Toast (1801)

Charles Williams (English, ?-1830)
Quadrille – Evening fashions – Dedicated to the heads of the nation. La Poule.

Quadrille – Evening fashions – Dedicated to the heads of the nation. La Poule.

William Heath (English, 1794-1840)
Diana in the straw. Or a treat for the Quornites

Diana in the straw. Or a treat for the Quornites (1804)

Thomas Rowlandson (English, 1756-1827)
Conjugal Felicity in High Life

Conjugal Felicity in High Life (1819)

Charles Williams (English, ?-1830)
A new way of gaining admittance to a lady’s chamber.

A new way of gaining admittance to a lady’s chamber.

William Heath (English, 1794-1840)
The man wot guards the hopposition.

The man wot guards the hopposition. (1829)

Anonymous
Absent without leave.

Absent without leave. (1831)

Anonymous
A select vestry

A select vestry (1806)

Thomas Rowlandson (English, 1756-1827)
John Elwes, Esqr.

John Elwes, Esqr. (1790)

William Austin
The contrast. A park scene

The contrast. A park scene (1780)

Robert Dighton (English, 1751-1814)
The golden Ball

The golden Ball (1819)

Richard Dighton (English, 1795-1880)
The sleeves curiously cut, Ay theres the villainy

The sleeves curiously cut, Ay theres the villainy (1827-1829)

William Heath (English, 1794-1840)
The genius of caricature, and his friends celebrating the completion of the second volume of the Caricature magazine

The genius of caricature, and his friends celebrating the completion of the second volume of the Caricature magazine (1808)

George Moutard Woodward (English, 1765-1809)
View all 1227 Artworks

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