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Paul Gavarni - Y en-a-ti des femmes, y’en a-ti. et quand on pense que tout ça mange

Y en-a-ti des femmes, y’en a-ti. et quand on pense que tout ça mange (1840)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

C’est moi – C’est moi. – Elle me fait l’oeil

C’est moi – C’est moi. – Elle me fait l’oeil (1839-1841)

Paul Gavarni (French, 1804-1866)
Que voulez-vous J’irai tout seul. satané migraine tu souffres donc bien pauvre chat

Que voulez-vous J’irai tout seul. satané migraine tu souffres donc bien pauvre chat (1840)

Paul Gavarni (French, 1804-1866)
Toi franche toi simple. rien que pour le plaisir de tromper ta main droite si tu pouvais

Toi franche toi simple. rien que pour le plaisir de tromper ta main droite si tu pouvais (1840)

Paul Gavarni (French, 1804-1866)
Et ton épouse

Et ton épouse (1840)

Paul Gavarni (French, 1804-1866)
Mon adoré dis-moi ton petit nom

Mon adoré dis-moi ton petit nom

Paul Gavarni (French, 1804-1866)
Ah c’est le jeune homme dont tu m’as parlé. faut faire monter un lit dans une chambre d’en haut, v’la tout

Ah c’est le jeune homme dont tu m’as parlé. faut faire monter un lit dans une chambre d’en haut, v’la tout (1840)

Paul Gavarni (French, 1804-1866)
Quand je pense que Monsieur Coquardeau va être mon mari, ça me fait de la peine pour Alexandre. Et à moi, pour Coqua

Quand je pense que Monsieur Coquardeau va être mon mari, ça me fait de la peine pour Alexandre. Et à moi, pour Coqua (1840)

Paul Gavarni (French, 1804-1866)
Costume Study for Male Gypsy in ‘Zingaro’

Costume Study for Male Gypsy in ‘Zingaro’ (1840)

Paul Gavarni (French, 1804-1866)
Tais-toi, moutard, faut laisser jaser l’autorité

Tais-toi, moutard, faut laisser jaser l’autorité (1840)

Paul Gavarni (French, 1804-1866)
Tu ne sais pas, Mosieu Coquardeau, ce que ta fille a fait. c’est égal il me déplairait

Tu ne sais pas, Mosieu Coquardeau, ce que ta fille a fait. c’est égal il me déplairait (1840)

Paul Gavarni (French, 1804-1866)
Oh c’est vrai t’as les yeux comme les lanternes de ton cabriolet. ah bien Clemence a joliement raison, par exempl

Oh c’est vrai t’as les yeux comme les lanternes de ton cabriolet. ah bien Clemence a joliement raison, par exempl (1838-1840)

Paul Gavarni (French, 1804-1866)
La lettre de Coquardeau

La lettre de Coquardeau (1840)

Paul Gavarni (French, 1804-1866)
Etude du matin

Etude du matin (1839-1841)

Paul Gavarni (French, 1804-1866)
Machère, comment peux-tu supporter un homme qui pipe toute la journée dans des horreurs de machines comme ça.

Machère, comment peux-tu supporter un homme qui pipe toute la journée dans des horreurs de machines comme ça. (1839-1841)

Paul Gavarni (French, 1804-1866)
J’i ai dit j’i ai dit, Madame, si vous vous permettez de fich’les pattes ici quand j’y serai

J’i ai dit j’i ai dit, Madame, si vous vous permettez de fich’les pattes ici quand j’y serai (1840)

Paul Gavarni (French, 1804-1866)
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