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Johann Peter Krafft - Wurzelwerk, umgestürzter Baum.

Wurzelwerk, umgestürzter Baum.

Johann Peter Krafft (Austrian, 1780 - 1856)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1856 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Johann Peter Krafft

Johann Peter Krafft was a German-born Austrian painter who specialized in portraits, historical works and genre scenes.

His father was an enamel painter who originally came from a family of wine merchants in Alsace. His brother, Joseph Krafft (1786-1828) also became a painter of portrait miniatures. By the age of ten, he was already attending a drawing school.

In 1799, he and sister were sent to live with an aunt in Vienna. He immediately enrolled at the Academy of Fine Arts, where he studied history painting with Heinrich Friedrich Füger. In 1802, he travelled to Paris with Veit Hanns Schnorr von Carolsfeld to continue his studies. There, he made the acquaintance of Jacques-Louis David and François Gérard, who had a major influence on his style.

He returned to Vienna in 1805, where he established himself as a portrait painter. From 1808 to 1809, he went on a study trip through Italy. He became a member of the Academy in 1813. Two years later, he married Juliana Preisinger. Three of their children became painters: Marie (1812–1885), Albrecht (1816–1847) and Julie (1821–1903). He was appointed a Professor at the Academy in 1823.

In 1828, he was named Director of the Galerie Belvedere, a position he held until his death. He became an Academic Counselor in 1835. Over the next few years, he travelled to Munich, Dresden and Venice, where he purchased 80 works for the museum. He was also employed as an expert on the preservation of monuments, working at Karlstein Castle, Schönbrunn Palace and the Jesuit Church.

More Artworks by Johann Peter Krafft (View all 205 Artworks)

Maler Friedrich Jagemann aus Weimar

Maler Friedrich Jagemann aus Weimar (before 1849)

Johann Peter Krafft (Austrian, 1780 - 1856)
Studie eines Spinnrockens

Studie eines Spinnrockens

Johann Peter Krafft (Austrian, 1780 - 1856)
Ossian and Malvina

Ossian and Malvina (after 1821)

Johann Peter Krafft (Austrian, 1780 - 1856)
Kopf eines Mädchens mit braunem Haar (Studie zu ‘Rüdiger und Angelica’)

Kopf eines Mädchens mit braunem Haar (Studie zu ‘Rüdiger und Angelica’) (1842)

Johann Peter Krafft (Austrian, 1780 - 1856)
Studie zu ‘Rüdiger und Angelika’

Studie zu ‘Rüdiger und Angelika’ (1842)

Johann Peter Krafft (Austrian, 1780 - 1856)
Kopfstudie zu den Wandgemälden in der Hofburg

Kopfstudie zu den Wandgemälden in der Hofburg (1828)

Johann Peter Krafft (Austrian, 1780 - 1856)
Studie zu ‘Hermann und Dorothea im Weinberg’

Studie zu ‘Hermann und Dorothea im Weinberg’ (before 1840)

Johann Peter Krafft (Austrian, 1780 - 1856)
Der Einzug von Kaiser Franz I. in Wien nach dem Pariser Frieden am 16. Juni 1814

Der Einzug von Kaiser Franz I. in Wien nach dem Pariser Frieden am 16. Juni 1814 (before 1828)

Johann Peter Krafft (Austrian, 1780 - 1856)
Kopfstudie eines Knaben zu ‘Rückkehr des Kaisers Franz aus Pressburg’

Kopfstudie eines Knaben zu ‘Rückkehr des Kaisers Franz aus Pressburg’ (before 1828)

Johann Peter Krafft (Austrian, 1780 - 1856)
Frau Steger

Frau Steger (before 1828)

Johann Peter Krafft (Austrian, 1780 - 1856)
Der Rhônegletscher

Der Rhônegletscher (1854)

Johann Peter Krafft (Austrian, 1780 - 1856)
Engelssturz

Engelssturz (1830-1832)

Johann Peter Krafft (Austrian, 1780 - 1856)
Pfenek

Pfenek (1820)

Johann Peter Krafft (Austrian, 1780 - 1856)
Kopfstudie zur ‘Szene aus dem Tiroler Freiheitskampf’

Kopfstudie zur ‘Szene aus dem Tiroler Freiheitskampf’ (1840)

Johann Peter Krafft (Austrian, 1780 - 1856)
Studie eines Bäumchens im Topf

Studie eines Bäumchens im Topf

Johann Peter Krafft (Austrian, 1780 - 1856)
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License: All public domain files can be freely used for personal and commercial projects. .
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