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Edwin Austin Abbey - Who Is Sylvia? What Is She That All the Swains Commend Her?

Who Is Sylvia? What Is She That All the Swains Commend Her? (1896-1899)

Edwin Austin Abbey (American, 1852 - 1911)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1911 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer. It is in the public domain in the United States because it was published or registered with the U.S. Copyright Office before Jan 1, 1926
Edwin Austin Abbey

Edwin Austin Abbey was an American muralist, illustrator, and painter. He flourished at the beginning of what is now referred to as the "golden age" of illustration, and is best known for his drawings and paintings of Shakespearean and Victorian subjects, as well as for his painting of Edward VII's coronation. His most famous set of murals, The Quest and Achievement of the Holy Grail, adorns the Boston Public Library.

Abbey was born in Philadelphia in 1852. He studied art at the Pennsylvania Academy of the Fine Arts under Christian Schuessele. Abbey began as an illustrator, producing numerous illustrations and sketches for such magazines as Harper's Weekly (1871–1874) and Scribner's Magazine. His illustrations began appearing in Harper's Weekly at an early age: before Abbey was twenty years old. He moved to New York City in 1871. His illustrations were strongly influenced by French and German black and white art.

He also illustrated several best-selling books, including Christmas Stories by Charles Dickens (1875), Selections from the Poetry of Robert Herrick (1882), and She Stoops to Conquer by Oliver Goldsmith (1887). Abbey also illustrated a four-volume set of The Comedies of Shakespeare for Harper & Brothers in 1896.

More Artworks by Edwin Austin Abbey (View all 411 Artworks)

Two female figure in cloister, from The Cloister

Two female figure in cloister, from The Cloister (1988)

Edwin Austin Abbey (American, 1852 - 1911)
Studies of heads

Studies of heads (1979)

Edwin Austin Abbey (American, 1852 - 1911)
The Wind

The Wind (1895)

Edwin Austin Abbey (American, 1852 - 1911)
Study for ‘Washington’s Headquarters at Newburgh, New York’

Study for ‘Washington’s Headquarters at Newburgh, New York’

Edwin Austin Abbey (American, 1852 - 1911)
Landscape with figure walking along a path, water in distance

Landscape with figure walking along a path, water in distance

Edwin Austin Abbey (American, 1852 - 1911)
‘And none knew why he fed them both with his own hands’

‘And none knew why he fed them both with his own hands’ (1888)

Edwin Austin Abbey (American, 1852 - 1911)
Study for ‘Crusaders Sighting Jerusalem’

Study for ‘Crusaders Sighting Jerusalem’ (1988)

Edwin Austin Abbey (American, 1852 - 1911)
Figure Study of Hamlet, for The Play Scene, Hamlet, Act III, Scene II

Figure Study of Hamlet, for The Play Scene, Hamlet, Act III, Scene II (ca. 1896–1897)

Edwin Austin Abbey (American, 1852 - 1911)
Sketch for King John, from King John

Sketch for King John, from King John

Edwin Austin Abbey (American, 1852 - 1911)
Jester, costume sketch for Henry Irving’s Planned Production of King Richard II

Jester, costume sketch for Henry Irving’s Planned Production of King Richard II

Edwin Austin Abbey (American, 1852 - 1911)
The Squire of Low Degree

The Squire of Low Degree (ca. 1897)

Edwin Austin Abbey (American, 1852 - 1911)
Portrait of a Young Woman

Portrait of a Young Woman (1981)

Edwin Austin Abbey (American, 1852 - 1911)
Figure Study of a Knight

Figure Study of a Knight (ca. 1871–1911)

Edwin Austin Abbey (American, 1852 - 1911)
The comedies of William Shakespeare

The comedies of William Shakespeare (1899)

Edwin Austin Abbey (American, 1852 - 1911)
Portrait of an unidentified woman

Portrait of an unidentified woman

Edwin Austin Abbey (American, 1852 - 1911)
View all 411 Artworks

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License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
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