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James Seymour - Whitefoot at Exercise; Hooded and Rugged, Jockey up, Walking to Left

Whitefoot at Exercise; Hooded and Rugged, Jockey up, Walking to Left

James Seymour (English, 1697-1752)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1752 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

James Seymour was an English painter, widely recognized for his equestrian art.

Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period.

Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset. Jolliffe's love for horses and art proved great, and his will would later establish an equestrian statue in Hampshire. In time, Seymour's work and fame had spread throughout Europe and America.

Though ultimately his love for horseracing led to his financial ruin, Seymour still ranks among the most important early sporting artists, together with John Wootton and Peter Tillemans being considered one of the three founders of the sporting school.

More Artworks by James Seymour (View all 85 Artworks)

Studies of Stags’ Heads

Studies of Stags’ Heads

James Seymour (English, 1697-1752)
Study of a Mounted Jockey, Facing Left, June 3rd, 1744

Study of a Mounted Jockey, Facing Left, June 3rd, 1744 (1744)

James Seymour (English, 1697-1752)
The Duke of Devonshire’s Flying Childers

The Duke of Devonshire’s Flying Childers

James Seymour (English, 1697-1752)
Training a Bridled and Saddled Horse at the Pillar

Training a Bridled and Saddled Horse at the Pillar

James Seymour (English, 1697-1752)
Portrait of a Gentleman, Traditionally Identified As Fulwar, 4th Earl of Craven, On His Hunter

Portrait of a Gentleman, Traditionally Identified As Fulwar, 4th Earl of Craven, On His Hunter

James Seymour (English, 1697-1752)
Mr. Thomas Panton’s Crab, A Grey Racehorse, Being Held By A Groom On Newmarket Heath

Mr. Thomas Panton’s Crab, A Grey Racehorse, Being Held By A Groom On Newmarket Heath (1752)

James Seymour (English, 1697-1752)
A Racehorse, Bridled and Saddled

A Racehorse, Bridled and Saddled

James Seymour (English, 1697-1752)
Rider With a Draw-Rein, Walking to Left

Rider With a Draw-Rein, Walking to Left

James Seymour (English, 1697-1752)
Woman Wearing a Tricorne Hat, Riding to Right

Woman Wearing a Tricorne Hat, Riding to Right

James Seymour (English, 1697-1752)
Two Horses Trotting in Harness

Two Horses Trotting in Harness

James Seymour (English, 1697-1752)
Cato, A Bay Racehorse, With A Groom In A Landscape

Cato, A Bay Racehorse, With A Groom In A Landscape (1750)

James Seymour (English, 1697-1752)
Six Studies of Horses and Riders

Six Studies of Horses and Riders

James Seymour (English, 1697-1752)
One of Four Portraits of Horses, a Chestnut Racehorse Exercised by a Trainer in a Red Coat- gallopi…

One of Four Portraits of Horses, a Chestnut Racehorse Exercised by a Trainer in a Red Coat- gallopi…

James Seymour (English, 1697-1752)
A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On

A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On

James Seymour (English, 1697-1752)
A Greyhound, Facing Left

A Greyhound, Facing Left

James Seymour (English, 1697-1752)
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License: All public domain files can be freely used for personal and commercial projects. .
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