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Joshua Cristall - When shall we three meet again

When shall we three meet again

Joshua Cristall (English, 1765-1847)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1847 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Joshua Cristall

Joshua Cristall was an English painter. For a time he was president of the Society of Painters in Water-Colours, a medium in which he showed a pleasing freedom and simplicity of style.

Cristall was born at Camborne in Cornwall. His mother shared with and inspired in her son a taste for classic art. His father was Scottish and bitterly opposed to his son's artistic tastes, but his mother secretly aided him in his struggles to study art. He was joined at school in London by his sister Ann Batten Cristall, who was to become a poet and a schoolteacher. He was first apprenticed to a china dealer at Rotherhithe, but after finding that business too irksome, he left for the Staffordshire Potteries, where he found employment as a china painter. Finding that job too monotonous, he went to London, and commenced a life of great privations and hard efforts to study the fine arts. During this period of his life, he reportedly seriously injured his health by trying to live for a year on just potatoes and water. Aided in secret by his mother, he persevered in his endeavours, and finally gained admission to the school of the Royal Academy, where he made rapid progress. He became personally known to Dr. Monro and visited his house, where he met the rising water-colour artists of the day.

In 1805, he became a founder of the Society of Painters in Water-Colours and made the first public exhibition of his works there, continuing to exhibit there for many years, and later becoming its President. In 1822, with his health in decline, Cristall went to Goodrich on the Wye, where he had bought a house and spent happy years, until the loss of his wife in 1840 drove him again to London, where he died in 1847. His body was buried next to his wife in Goodrich, as he had requested.

Cristall's usual subjects in early years were classical figures with landscapes, such as his Lycidas, Judgment of Paris, Hylas and the Nymphs, and Diana and Endymion, but he moved later to genre subjects and rustic groups. Around 1813 he tried portrait painting, generally small full-lengths with landscape backgrounds using no body-colour. As a watercolour painter, Cristall gained an honourable position from the freedom and simplicity of his style and manner of execution. Five of his drawings (including The Young Fisher-Boy and The Fish Market on Hastings Beach) are in the South Kensington Museum. Cristall was an early member of the Sketching Society. He also furnished some of the classical figures in Barret's landscapes and some groups in George Fennell Robson's Scotch Scenery.

In Collection: Illustrations to Shakespeare (View all 1404)

Coriolanus, act II, sc. 1

Coriolanus, act II, sc. 1 (1780s)

Giovanni Battista Cipriani (Italian, 1727-1785)
The tempest, III, 1, Miranda; ‘If you’ll sit down, I’ll bear your logs the while, pray give me that, I’ll carry’t to the pile’

The tempest, III, 1, Miranda; ‘If you’ll sit down, I’ll bear your logs the while, pray give me that, I’ll carry’t to the pile’ (1830)

Johann Heinrich Ramberg (German, 1763 - 1840)
Haunts of Shakespeare Pl.10

Haunts of Shakespeare Pl.10 (19th century)

Paul Braddon (English, 1864–1937)
Two gentlemen of Verona; Thurio Act II, Scene IV

Two gentlemen of Verona; Thurio Act II, Scene IV (1895)

Walford Graham Robertson (English, 1866-1948)
Romeo and Juliet; A capulet in mourning.

Romeo and Juliet; A capulet in mourning.

Percy Anderson (English, 1851-1928)
Prince Arthur and Hubert, Shakspeare [King John, IV, 1]

Prince Arthur and Hubert, Shakspeare [King John, IV, 1] (19th century)

William Francis Starling (English, active 1833 - 1845)
The seven ages of man

The seven ages of man (1823)

George James De Wilde (English, 1804-1871)
Two gentlemen of Verona, III, 2, Daly’s Theatre, July 13, 1895

Two gentlemen of Verona, III, 2, Daly’s Theatre, July 13, 1895 (1895)

John Jellicoe (English, 1842 – 1914)
Macbeth, II, 2, Macbeth and his wife after the murder of Duncan

Macbeth, II, 2, Macbeth and his wife after the murder of Duncan

Joshua Cristall (English, 1765-1847)
Scene XIII [i.e. act 4, scene 1 of Merchant of Venice], a court of justice (lines commencing ‘Take then this pound of flesh’)

Scene XIII [i.e. act 4, scene 1 of Merchant of Venice], a court of justice (lines commencing ‘Take then this pound of flesh’) (1905)

Balliol Salmon (English, 1868 – 1953)
Scenes from Midsummer night’s dream 1

Scenes from Midsummer night’s dream 1

John Massey Wright (English, 1777–1866)
Full-length figure of Ophelia

Full-length figure of Ophelia (1880)

V. Zippenfeld
Portrait of Shakespeare in an oval frame surrounded by two female figure types

Portrait of Shakespeare in an oval frame surrounded by two female figure types (1842)

Anonymous
Merchant of Venice. Tarry a little, Jew, said Portia, this bond here gives you no drop of blood

Merchant of Venice. Tarry a little, Jew, said Portia, this bond here gives you no drop of blood (1917-1918)

Louis Rhead (American, 1857-1926)
Illustrations to Shakespeare Pl.087

Illustrations to Shakespeare Pl.087 (19th century)

John Massey Wright (English, 1777–1866)
View all 1404 Artworks

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