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Paul Gavarni - Voyez-vous Là Au second quadrille. des épis de diamants

Voyez-vous Là Au second quadrille. des épis de diamants (1840-1841)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Tais-toi, moutard, faut laisser jaser l’autorité

Tais-toi, moutard, faut laisser jaser l’autorité (1840)

Paul Gavarni (French, 1804-1866)
Voilà deux fois que vous rentrez à minuit cette semaine. T’est bête

Voilà deux fois que vous rentrez à minuit cette semaine. T’est bête (1840)

Paul Gavarni (French, 1804-1866)
Oreste et Pylade seraient volontiers morts l’un pour l’autre, mais ils seraient brouillés s’ils n’avaient eu qu’une cu

Oreste et Pylade seraient volontiers morts l’un pour l’autre, mais ils seraient brouillés s’ils n’avaient eu qu’une cu (1839-1841)

Paul Gavarni (French, 1804-1866)
Ma tante Amélie qui disait l’autre jour à Maman. Des grises quoi donc dis

Ma tante Amélie qui disait l’autre jour à Maman. Des grises quoi donc dis (1838-1840)

Paul Gavarni (French, 1804-1866)
Et si Cornélie ne trouvait pas de voiture

Et si Cornélie ne trouvait pas de voiture (1840)

Paul Gavarni (French, 1804-1866)
Depuis que j’ai été forcé de tuer un homme pour lui avoir donné un soufflet, ah J’ai les soufflets en horreur

Depuis que j’ai été forcé de tuer un homme pour lui avoir donné un soufflet, ah J’ai les soufflets en horreur (1840-1841)

Paul Gavarni (French, 1804-1866)
Va donc. Singulier masculin

Va donc. Singulier masculin (1840)

Paul Gavarni (French, 1804-1866)
La lettre de Coquardeau

La lettre de Coquardeau (1840)

Paul Gavarni (French, 1804-1866)
Les artistes, S’Pierre mon ami, vous etes capot!

Les artistes, S’Pierre mon ami, vous etes capot! (1838)

Paul Gavarni (French, 1804-1866)
Travel to China; Get married, then . . . In China

Travel to China; Get married, then . . . In China (1844)

Paul Gavarni (French, 1804-1866)
Memories of Carnival, No. 3; The tray of refreshments

Memories of Carnival, No. 3; The tray of refreshments

Paul Gavarni (French, 1804-1866)
Voyons, mon cher Gustave, soyez le plus raisonnable. Voyons venez ce soir. Allons, vous viendrez ce soir

Voyons, mon cher Gustave, soyez le plus raisonnable. Voyons venez ce soir. Allons, vous viendrez ce soir (1840)

Paul Gavarni (French, 1804-1866)
Monter à cheval sur le cou d’un homme qu’on ne connait pas, t’appelle ça plaisanter

Monter à cheval sur le cou d’un homme qu’on ne connait pas, t’appelle ça plaisanter (1840)

Paul Gavarni (French, 1804-1866)
Tu ne la reconnais pas L’ancienne à Badinguet Une belle blonde

Tu ne la reconnais pas L’ancienne à Badinguet Une belle blonde (1839-1841)

Paul Gavarni (French, 1804-1866)
Mon cher ami je suis en affaire, avec mon oncle

Mon cher ami je suis en affaire, avec mon oncle (1839-1841)

Paul Gavarni (French, 1804-1866)
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