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Paul Gavarni - Vois-tu, ma petite, quand un amoureux commence à devenir dangereux. et on fait des bêtises

Vois-tu, ma petite, quand un amoureux commence à devenir dangereux. et on fait des bêtises (1840)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Qu’est ce que t’as qui te chiffonne Les anglais veulent de l’argent. promets-leur en.

Qu’est ce que t’as qui te chiffonne Les anglais veulent de l’argent. promets-leur en. (1839-1841)

Paul Gavarni (French, 1804-1866)
Avoir perdu ses plus belles années, tout ce qu’on avait d’illusion, de simplicité de coeur, beauté. jeunesse

Avoir perdu ses plus belles années, tout ce qu’on avait d’illusion, de simplicité de coeur, beauté. jeunesse

Paul Gavarni (French, 1804-1866)
Va donc. Singulier masculin

Va donc. Singulier masculin (1840)

Paul Gavarni (French, 1804-1866)
Pastourelle

Pastourelle

Paul Gavarni (French, 1804-1866)
On vient de rapporter Louis de Vincennes, avec deux côtes cassées

On vient de rapporter Louis de Vincennes, avec deux côtes cassées (1840-1841)

Paul Gavarni (French, 1804-1866)
Caporal, on gèle dans votre satané violon

Caporal, on gèle dans votre satané violon (1840)

Paul Gavarni (French, 1804-1866)
Et si Cornélie ne trouvait pas de voiture

Et si Cornélie ne trouvait pas de voiture (1840)

Paul Gavarni (French, 1804-1866)
M’ame Norine

M’ame Norine

Paul Gavarni (French, 1804-1866)
A la requête du sieur Vautour et caetera, en vertu et caetera nous Loyal et caetera, premièrement dans une pièce éclai

A la requête du sieur Vautour et caetera, en vertu et caetera nous Loyal et caetera, premièrement dans une pièce éclai

Paul Gavarni (French, 1804-1866)
A Montmartre

A Montmartre

Paul Gavarni (French, 1804-1866)
Mais au moins, moi Je ne suis pas numérotée. comme un fiacre

Mais au moins, moi Je ne suis pas numérotée. comme un fiacre

Paul Gavarni (French, 1804-1866)
Ma bonne bisque, va M’man, de se lever comme ça de bonne heure. mais il était joliment sucré le café

Ma bonne bisque, va M’man, de se lever comme ça de bonne heure. mais il était joliment sucré le café (1838-1840)

Paul Gavarni (French, 1804-1866)
Mais si un homme avait été pour moi ce que j’ai été pour toi, et que je lui aie fait ce que tu m’as fait. Mais mai

Mais si un homme avait été pour moi ce que j’ai été pour toi, et que je lui aie fait ce que tu m’as fait. Mais mai (1840)

Paul Gavarni (French, 1804-1866)
Et dire qu’on a eu cinq mille francs de loyer

Et dire qu’on a eu cinq mille francs de loyer

Paul Gavarni (French, 1804-1866)
Le même jour machère Me laisser siffler deux hommes, deux Dont un que j’idolâtrais

Le même jour machère Me laisser siffler deux hommes, deux Dont un que j’idolâtrais

Paul Gavarni (French, 1804-1866)
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