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Emile Othon Friesz - Vigen ved En Vaux, Cassis

Vigen ved En Vaux, Cassis (1911)

Emile Othon Friesz (French, 1879 – 1949)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1949 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Emile Othon Friesz

Achille-Émile Othon Friesz, who later called himself Othon Friesz, a native of Le Havre, was a French artist of the Fauvist movement.

Othon Friesz was born in Le Havre, the son of a long line of shipbuilders and sea captains. He went to school in his native city. It was while he was at the Lycée that he met his lifelong friend Raoul Dufy. He and Dufy studied at the Le Havre School of Fine Arts in 1895-96 and then went to Paris together for further study. In Paris, Friesz met Henri Matisse, Albert Marquet, and Georges Rouault. Like them, he rebelled against the academic teaching of Bonnat and became a member of the Fauves, exhibiting with them in 1907. The following year, Friesz returned to Normandy and to a much more traditional style of painting, since he had discovered that his personal goals in painting were firmly rooted in the past. He opened his own studio in 1912 and taught until 1914 at which time he joined the army for the duration of the war. He resumed living in Paris in 1919 and remained there, except for brief trips to Toulon and the Jura Mountains, until his death in 1949.

During the last thirty years of his life, he painted in a style completely removed from that of his earlier colleagues and his contemporaries. Having abandoned the lively arabesques and brilliant colors of his Fauve years, Friesz returned to the more sober palette he had learned in Le Havre from his professor Charles Lhuillier and to an early admiration for Poussin, Chardin, and Corot. He painted in a manner that respected Cézanne's ideas of logical composition, simple tonality, solidity of volume, and distinct separation of planes. A faint baroque flavor adds vigor to his (most well-known) landscapes, still lifes, and figure paintings.

Othon Friesz died in Paris. He is buried in the Cimetière du Montparnasse in Paris. His pupils included the painter Marthe Rakine.

More Artworks by Emile Othon Friesz (View all 61 Artworks)

Nu allongé dans un paysage

Nu allongé dans un paysage

Emile Othon Friesz (French, 1879 – 1949)
The Mountain Coudon Seen from Cap Brun

The Mountain Coudon Seen from Cap Brun

Emile Othon Friesz (French, 1879 – 1949)
Roses

Roses

Emile Othon Friesz (French, 1879 – 1949)
View to the horizon

View to the horizon

Emile Othon Friesz (French, 1879 – 1949)
La Maison Espagnole à Tervueren

La Maison Espagnole à Tervueren (1913)

Emile Othon Friesz (French, 1879 – 1949)
La Baie du Bec de l’Aigle, La Ciotat

La Baie du Bec de l’Aigle, La Ciotat (1907)

Emile Othon Friesz (French, 1879 – 1949)
Segelkutter an der Kaimauer

Segelkutter an der Kaimauer (1920-1925)

Emile Othon Friesz (French, 1879 – 1949)
La Seine À Paris, La Tour Eiffel, Le Jour

La Seine À Paris, La Tour Eiffel, Le Jour (circa 1905-06)

Emile Othon Friesz (French, 1879 – 1949)
La fenêtre sur le port de Toulon

La fenêtre sur le port de Toulon (1927)

Emile Othon Friesz (French, 1879 – 1949)
Still Life With Brioches

Still Life With Brioches (1916 – 1917)

Emile Othon Friesz (French, 1879 – 1949)
Bouquet de fleurs

Bouquet de fleurs (1906)

Emile Othon Friesz (French, 1879 – 1949)
Tre studier af en kvindelig akrobat, i trapez og gående.

Tre studier af en kvindelig akrobat, i trapez og gående. (1906 – 1909)

Emile Othon Friesz (French, 1879 – 1949)
Le port de Honfleur

Le port de Honfleur

Emile Othon Friesz (French, 1879 – 1949)
Jardin Des Jarres

Jardin Des Jarres

Emile Othon Friesz (French, 1879 – 1949)
Les Baigneuses

Les Baigneuses (1929)

Emile Othon Friesz (French, 1879 – 1949)
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