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Giovanni Battista Borra - View of Scutari (Ancient Chrysopolis, Now Called Uskudar)

View of Scutari (Ancient Chrysopolis, Now Called Uskudar) (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1770 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

Giovanni Battista Borra was an Italian architect, engineer and architectural draughtsman.

Borra was born in Dogliani. Studying under Bernardo Antonio Vittone from 1733 to 1736 (producing 10 plates for his teacher's Istruzione elementari per indirizzo de'giovani allo studio dell'architettura civile, published in Lugano in 1760), in 1748 he published a work of his own. This was a handbook on buildings' stability, practical in tone. He met Robert Wood in Rome, and joined his 1750–51 antiquarian expedition to Asia Minor and Syria as its architectural draughtsman before returning with Wood to England.

There he used his sketchbooks (now in the library of the Society for the Promotion of Hellenic Studies, London) to produce the original drawings (now in the Royal Institute of British Architects) for Wood's The Ruins of Balbec and The Ruins of Palmyra, and from 1752 to 1760 carried out commissions for English patrons. These works and their images led to motifs from Baalbek and Palmyra becoming fashionable for ceiling and interior decorations in England and Italy (Borra used them, for example, in his own work on the south facade of the Palazzo Isnardi and the interior decoration of its Sala d'Ercole and Sala di Diana, on the piano nobile). He is thought to have died in Turin.

More Artworks by Giovanni Battista Borra (View all 97 Artworks)

Members of an Ionic Temple at Teos

Members of an Ionic Temple at Teos (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Remains of an Ionic Temple of Bacchus at Aphrodisias

Remains of an Ionic Temple of Bacchus at Aphrodisias (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Plan of the Bay of Tyre

Plan of the Bay of Tyre (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
View of Ruins of the Asclepium at Pergamon

View of Ruins of the Asclepium at Pergamon (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
View of Ruins at Tivoli

View of Ruins at Tivoli (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
View of the Modern City of Pergamon

View of the Modern City of Pergamon (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Unfinished View of the Palatine in Rome

Unfinished View of the Palatine in Rome (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Reconstruction of the Second Theatre at Laodicea

Reconstruction of the Second Theatre at Laodicea (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
View of Samos

View of Samos (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Frieze and Capital of the Ionic Temple at Toreh

Frieze and Capital of the Ionic Temple at Toreh (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Mausolio d’Haliatte in Faccia a Sardes

Mausolio d’Haliatte in Faccia a Sardes (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
View of a Passage Cut into a Hillside

View of a Passage Cut into a Hillside (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
View and Plan of the Grotto of St. Jerome at Lydda (Lod)

View and Plan of the Grotto of St. Jerome at Lydda (Lod) (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)

Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale) (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
View of the Ruined Theater of Aezani at Tjaden

View of the Ruined Theater of Aezani at Tjaden (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
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