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Giovanni Battista Borra - View of Artaki (now Erduk)

View of Artaki (now Erduk) (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1770 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

Giovanni Battista Borra was an Italian architect, engineer and architectural draughtsman.

Borra was born in Dogliani. Studying under Bernardo Antonio Vittone from 1733 to 1736 (producing 10 plates for his teacher's Istruzione elementari per indirizzo de'giovani allo studio dell'architettura civile, published in Lugano in 1760), in 1748 he published a work of his own. This was a handbook on buildings' stability, practical in tone. He met Robert Wood in Rome, and joined his 1750–51 antiquarian expedition to Asia Minor and Syria as its architectural draughtsman before returning with Wood to England.

There he used his sketchbooks (now in the library of the Society for the Promotion of Hellenic Studies, London) to produce the original drawings (now in the Royal Institute of British Architects) for Wood's The Ruins of Balbec and The Ruins of Palmyra, and from 1752 to 1760 carried out commissions for English patrons. These works and their images led to motifs from Baalbek and Palmyra becoming fashionable for ceiling and interior decorations in England and Italy (Borra used them, for example, in his own work on the south facade of the Palazzo Isnardi and the interior decoration of its Sala d'Ercole and Sala di Diana, on the piano nobile). He is thought to have died in Turin.

More Artworks by Giovanni Battista Borra (View all 97 Artworks)

View of Micale Promontorio

View of Micale Promontorio (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Veduta Occidentale del Monte Tabor

Veduta Occidentale del Monte Tabor (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Top Panel: Plan, Column Details: Bottom Panel: View of a Ruined Theater, Probably that at Miletus

Top Panel: Plan, Column Details: Bottom Panel: View of a Ruined Theater, Probably that at Miletus (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Plan of the Temple of Juno at Samos and Details of a Column

Plan of the Temple of Juno at Samos and Details of a Column (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
View of the Theater and Plan of the Ionic Temple at Sardis

View of the Theater and Plan of the Ionic Temple at Sardis (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Members of an Ionic Temple at Teos

Members of an Ionic Temple at Teos (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Ruines à Troye

Ruines à Troye (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Ruins at Pergamon, Probably of the Amphitheatre

Ruins at Pergamon, Probably of the Amphitheatre (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Plan of the Port of Sigacik (ancient Teos)

Plan of the Port of Sigacik (ancient Teos) (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus

Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea

Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Aquedotto Angolare

Aquedotto Angolare (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Plan of the Temple of Artemis at Ephesus

Plan of the Temple of Artemis at Ephesus (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
Gierusalemme

Gierusalemme (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
View of Samos

View of Samos (ca. 1750)

Giovanni Battista Borra (Italian, 1713 – 1770)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
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