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Paul Gavarni - Va dire à ta mère qu’a te mouche

Va dire à ta mère qu’a te mouche (1840)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Mosieu, on ne peut pas voir papa, il est en train de faire faillite

Mosieu, on ne peut pas voir papa, il est en train de faire faillite (1838-1840)

Paul Gavarni (French, 1804-1866)
A monsieur Anatole qui attends dans un cabinet de la Poissonnerie

A monsieur Anatole qui attends dans un cabinet de la Poissonnerie (1840)

Paul Gavarni (French, 1804-1866)
Tu ne sais pas petit Papa. cet animal de Maurice, il n’a fait que faire pleurer Maman ce matin. qu’est-ce que ç

Tu ne sais pas petit Papa. cet animal de Maurice, il n’a fait que faire pleurer Maman ce matin. qu’est-ce que ç (1838-1840)

Paul Gavarni (French, 1804-1866)
N’est-ce pas, Maman, que le petit peigne à moustaches, que Cornelie a trouvé ce matin dans ta chambre, c’est pour moi

N’est-ce pas, Maman, que le petit peigne à moustaches, que Cornelie a trouvé ce matin dans ta chambre, c’est pour moi (1838-1840)

Paul Gavarni (French, 1804-1866)
Toi franche toi simple. rien que pour le plaisir de tromper ta main droite si tu pouvais

Toi franche toi simple. rien que pour le plaisir de tromper ta main droite si tu pouvais (1840)

Paul Gavarni (French, 1804-1866)
Un petit de la pension qui disait que t’étais renégat, j’y ai fichu des gifflets. n’est ce pas, père, que t’es catho

Un petit de la pension qui disait que t’étais renégat, j’y ai fichu des gifflets. n’est ce pas, père, que t’es catho (1838-1840)

Paul Gavarni (French, 1804-1866)
Une enfant une enfant, Mosieu, dont je me croyais, avant hier encore, le premier et le seul amour Si vous avez été

Une enfant une enfant, Mosieu, dont je me croyais, avant hier encore, le premier et le seul amour Si vous avez été (1840)

Paul Gavarni (French, 1804-1866)
Ça ne te regarde pas, de quoi te mèles-tu

Ça ne te regarde pas, de quoi te mèles-tu (1840)

Paul Gavarni (French, 1804-1866)
Vois-tu, ma petite, quand un amoureux commence à devenir dangereux. et on fait des bêtises

Vois-tu, ma petite, quand un amoureux commence à devenir dangereux. et on fait des bêtises (1840)

Paul Gavarni (French, 1804-1866)
Cré chien, Loïse T’as là une casquette un peu chouette

Cré chien, Loïse T’as là une casquette un peu chouette

Paul Gavarni (French, 1804-1866)
Tu mettras plus jamais ton chapeau qui sent la pipe, n’est pas m’man

Tu mettras plus jamais ton chapeau qui sent la pipe, n’est pas m’man (1838-1840)

Paul Gavarni (French, 1804-1866)
Le spectacle, était-ce bien. Il m’a fallu payer place entière

Le spectacle, était-ce bien. Il m’a fallu payer place entière (1838-1840)

Paul Gavarni (French, 1804-1866)
Où as-tu eu la petite que t’as

Où as-tu eu la petite que t’as

Paul Gavarni (French, 1804-1866)
Allons souper Qu’est ce qui en joue

Allons souper Qu’est ce qui en joue (1839-1841)

Paul Gavarni (French, 1804-1866)
Clara et ses amants

Clara et ses amants (1840)

Paul Gavarni (French, 1804-1866)
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