Artvee
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Religion
    • Mythology
    • Posters
    • Drawings
    • Illustration
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Books
  • Artists
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro
Login
Artvee
Menu
Salvator Rosa - Two figures; on the left a seated man seen from the rear, on the right a half-length figure

Two figures; on the left a seated man seen from the rear, on the right a half-length figure (ca 1660-1669)

Salvator Rosa (Italian, 1615-1673)
Facebook Twitter Pinterest
Favourite
Collect

Standard, 1692 x 1800px JPG, Size: 2.9 MB

Download

Max Size, 3813 x 4057px JPG, Size: 12.43 MB

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1673 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Salvator Rosa

Salvator Rosa was an Italian Baroque painter, poet, and printmaker, who was active in Naples, Rome, and Florence. As a painter, he has been described as "unorthodox and extravagant" as well as being a "perpetual rebel" and a proto-Romantic.

Rosa was born in Arenella, at that time in the outskirts of Naples, on either June 20 or July 21, 1615. His mother was Giulia Greca Rosa, a member of one of the Greek families of Sicily. His father, Vito Antonio de Rosa, a land surveyor, urged his son to become a lawyer or a priest, and entered him into the convent of the Somaschi Fathers. Yet Salvator showed a preference for the arts and secretly worked with his maternal uncle Paolo Greco to learn about painting. He soon transferred himself to the tutelage of his brother-in-law Francesco Fracanzano, a pupil of Ribera, and afterward to either Aniello Falcone, a contemporary of Domenico Gargiulo, or to Ribera.

During Rosa's lifetime his work inspired followers such as Giovanni Ghisolfi, but his most lasting influence was on the later development of romantic and picturesque traditions within painting. Eighteenth-century artists influenced by Rosa include Alessandro Magnasco, Andrea Locatelli, Giovanni Paolo Panini and Marco Ricci. As Wittkower states, it is in his landscapes, not his grand historical or religious dramas, that Rosa truly expresses his innovative abilities most graphically.

Rosa's reputation and influence waned in the nineteenth century; when his Monks Fishing was displayed in Dulwich in 1843 it was criticized by John Ruskin as telling "unmitigated falsehoods" and containing "laws of nature set at open defiance". Since the 1960s, Rosa's work has received renewed attention from scholars.

More Artworks by Salvator Rosa (View all 162 Artworks)

Turbaned Warrior Holding a Mace

Turbaned Warrior Holding a Mace (1615–73)

Salvator Rosa (Italian, 1615-1673)
Three bathers undressing

Three bathers undressing

Salvator Rosa (Italian, 1615-1673)
Studies of Kneeling Figures

Studies of Kneeling Figures (1615–73)

Salvator Rosa (Italian, 1615-1673)
Soldier, Standing, Holding a Pike with Both Hands

Soldier, Standing, Holding a Pike with Both Hands (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Two Soldiers, One Seen from Behind and Holding a Cane in His Right hand

Two Soldiers, One Seen from Behind and Holding a Cane in His Right hand (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Studier til Empedokles’ død

Studier til Empedokles’ død

Salvator Rosa (Italian, 1615-1673)
Two Soldiers, One in Helmet and Bearded

Two Soldiers, One in Helmet and Bearded (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Soldier, Seated, in a Helmet, Holding a Cane

Soldier, Seated, in a Helmet, Holding a Cane (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Scenes of Witchcraft, Night

Scenes of Witchcraft, Night (c. 1645-1649)

Salvator Rosa (Italian, 1615-1673)
Two Soldiers Facing a Third Who Holds a Shield

Two Soldiers Facing a Third Who Holds a Shield (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Five Figures in Fantastic Costumes with Two Dogs

Five Figures in Fantastic Costumes with Two Dogs (1615–73)

Salvator Rosa (Italian, 1615-1673)
Glaucus and Scylla

Glaucus and Scylla (c. 1661)

Salvator Rosa (Italian, 1615-1673)
Landscape with hills and a lake, trees in right foreground

Landscape with hills and a lake, trees in right foreground (1615–73)

Salvator Rosa (Italian, 1615-1673)
Two sitting soldiers

Two sitting soldiers

Salvator Rosa (Italian, 1615-1673)
The Founding of Thebes

The Founding of Thebes (1630 – 1661)

Salvator Rosa (Italian, 1615-1673)
Load MoreLoading...
View all 162 Artworks

0 Artworks
Follow
Facebook Twitter Pinterest
Favourite
Collect

Standard, JPG, Size:

Download

Max Size, JPG, Size:

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
  • Terms
  • Privacy
  • Contact us
Artvee.com 2024 All Rights Reserved
We use cookies to improve your experience on our website. By browsing this website, you agree to our use of cookies.
More info Accept
  • Sign in
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Religion
    • Mythology
    • Posters
    • Drawings
    • Illustration
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Artists
  • Books
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro