Artvee
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Illustration
    • Posters
    • Religion
    • Mythology
    • Drawings
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Books
  • Artists
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro
Login
Artvee
Menu
Paul Gavarni - Tu seras marraine

Tu seras marraine

Paul Gavarni (French, 1804-1866)
Facebook Twitter Pinterest
Favourite
Collect

Standard, 1431 x 1800px JPG, Size: 2.5 MB

Download

Max Size, 2653 x 3337px JPG, Size: 7.55 MB

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Cette année J’ai fait trois femmes et j’ai culotté cinq pipes.

Cette année J’ai fait trois femmes et j’ai culotté cinq pipes. (1839-1841)

Paul Gavarni (French, 1804-1866)
Voyez-vous Là Au second quadrille. des épis de diamants

Voyez-vous Là Au second quadrille. des épis de diamants (1840-1841)

Paul Gavarni (French, 1804-1866)
Jésus Comment oses-tu manger des champignons

Jésus Comment oses-tu manger des champignons

Paul Gavarni (French, 1804-1866)
Pauvre Elvire, emportée aux flots du bal Musard, Où tu cherchais Don Juan, tu trouves Chicandard

Pauvre Elvire, emportée aux flots du bal Musard, Où tu cherchais Don Juan, tu trouves Chicandard (1840)

Paul Gavarni (French, 1804-1866)
Mon Dieu çà lui a pris hier au soir après que Mossieu a été parti. ah nous avons eu joliment peur

Mon Dieu çà lui a pris hier au soir après que Mossieu a été parti. ah nous avons eu joliment peur (1840)

Paul Gavarni (French, 1804-1866)
Ch. Chandellier

Ch. Chandellier (1842)

Paul Gavarni (French, 1804-1866)
M’ame Norine

M’ame Norine

Paul Gavarni (French, 1804-1866)
On vient de rapporter Louis de Vincennes, avec deux côtes cassées

On vient de rapporter Louis de Vincennes, avec deux côtes cassées (1840-1841)

Paul Gavarni (French, 1804-1866)
T’es bête va Pour une queue, une méchante queue qu’on vous fait

T’es bête va Pour une queue, une méchante queue qu’on vous fait (1839-1841)

Paul Gavarni (French, 1804-1866)
Un petit de la pension qui disait que t’étais renégat, j’y ai fichu des gifflets. n’est ce pas, père, que t’es catho

Un petit de la pension qui disait que t’étais renégat, j’y ai fichu des gifflets. n’est ce pas, père, que t’es catho (1838-1840)

Paul Gavarni (French, 1804-1866)
Qu’est-ce que c’est que cette infamie de petite bête là

Qu’est-ce que c’est que cette infamie de petite bête là (1839-1841)

Paul Gavarni (French, 1804-1866)
Je vous dis que vous avez dansé d’une façon. que. enfin, il ne fallait pas. ainsi que votre femme la même chose

Je vous dis que vous avez dansé d’une façon. que. enfin, il ne fallait pas. ainsi que votre femme la même chose (1840)

Paul Gavarni (French, 1804-1866)
Vois-tu Fifine nous lanterne tous les deux et ça devient chose Faut en finir

Vois-tu Fifine nous lanterne tous les deux et ça devient chose Faut en finir (1839-1841)

Paul Gavarni (French, 1804-1866)
Est-il, Dieu permis, d’avoir des pensées comme ça sur la mère de son petit Joseph

Est-il, Dieu permis, d’avoir des pensées comme ça sur la mère de son petit Joseph (1840)

Paul Gavarni (French, 1804-1866)
Est-ce que c’est vrai Monsieur le Marquis, que vous êtes toujours obligé de regarder en Bourgogne si la Champagne brul

Est-ce que c’est vrai Monsieur le Marquis, que vous êtes toujours obligé de regarder en Bourgogne si la Champagne brul (1838-1840)

Paul Gavarni (French, 1804-1866)
View all 395 Artworks

0 Artworks
Follow
Facebook Twitter Pinterest
Favourite
Collect

Standard, JPG, Size:

Download

Max Size, JPG, Size:

Download
License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
  • Terms
  • Privacy
  • Contact us
Artvee.com 2024 All Rights Reserved
We use cookies to improve your experience on our website. By browsing this website, you agree to our use of cookies.
More info Accept
  • Sign in
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Illustration
    • Posters
    • Religion
    • Mythology
    • Drawings
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Artists
  • Books
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro