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Paul Gavarni - Tu sais bien que Maurice et Charles avaient toujours des histoires ensemble pour la petite Zélie

Tu sais bien que Maurice et Charles avaient toujours des histoires ensemble pour la petite Zélie (1840-1841)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

C’est d’main matin qu’mon tendre époux va beugler

C’est d’main matin qu’mon tendre époux va beugler (1840)

Paul Gavarni (French, 1804-1866)
Malheureuse tu feras la honte de ton sexe et le desespoir du mien

Malheureuse tu feras la honte de ton sexe et le desespoir du mien (1840)

Paul Gavarni (French, 1804-1866)
Et dire qu’on a eu cinq mille francs de loyer

Et dire qu’on a eu cinq mille francs de loyer

Paul Gavarni (French, 1804-1866)
Quand je serai ministre de la justice j’empêcherai les femmes d’empêcher les étudians d’étudier.

Quand je serai ministre de la justice j’empêcherai les femmes d’empêcher les étudians d’étudier. (1839-1841)

Paul Gavarni (French, 1804-1866)
Woman in Peasant Costume

Woman in Peasant Costume (ca. 1840)

Paul Gavarni (French, 1804-1866)
La canne que Papa a trouvée dans l’armoire de Maman, le jour qu’il était si en colère, elle était bien plus belle que

La canne que Papa a trouvée dans l’armoire de Maman, le jour qu’il était si en colère, elle était bien plus belle que (1838-1840)

Paul Gavarni (French, 1804-1866)
P’us que ça de bouillon Merci

P’us que ça de bouillon Merci (1840)

Paul Gavarni (French, 1804-1866)
Oraison funèbre

Oraison funèbre (1840-1841)

Paul Gavarni (French, 1804-1866)
Les billets une fois pris, on n’en rendra pas la valeur

Les billets une fois pris, on n’en rendra pas la valeur

Paul Gavarni (French, 1804-1866)
En voulez-vous de la crevette. Pas cher

En voulez-vous de la crevette. Pas cher (1840)

Paul Gavarni (French, 1804-1866)
Eh Parbleu, c’est chez mademoiselle de Beaupertuis que j’ai eu l’honneur de faire votre connaissance

Eh Parbleu, c’est chez mademoiselle de Beaupertuis que j’ai eu l’honneur de faire votre connaissance

Paul Gavarni (French, 1804-1866)
Ma sainte te ressemble n’est pas Nini

Ma sainte te ressemble n’est pas Nini (1838)

Paul Gavarni (French, 1804-1866)
Bal à la Renaissance ce soir, lache ton boulet

Bal à la Renaissance ce soir, lache ton boulet (1839-1841)

Paul Gavarni (French, 1804-1866)
V’là qu’elles ont des mots

V’là qu’elles ont des mots (1840)

Paul Gavarni (French, 1804-1866)
N’est-ce pas, Mosieu Prud’homme, qu’il ne faut pas mettre un H à omelette. là vois-tu M’man

N’est-ce pas, Mosieu Prud’homme, qu’il ne faut pas mettre un H à omelette. là vois-tu M’man (1838-1840)

Paul Gavarni (French, 1804-1866)
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