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Paul Gavarni - Tu ne sais pas ta leçon. ce qu’on met dans les cheveux à ma tante pour qu’ils soient noirs après

Tu ne sais pas ta leçon. ce qu’on met dans les cheveux à ma tante pour qu’ils soient noirs après (1838-1840)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Contemporary types; Mr. Gontard (of Clos-Gorges), rich proprietor, eligible voter, going hunting at dawn

Contemporary types; Mr. Gontard (of Clos-Gorges), rich proprietor, eligible voter, going hunting at dawn

Paul Gavarni (French, 1804-1866)
Air Larifla

Air Larifla

Paul Gavarni (French, 1804-1866)
T’as bien tort, vas ma fille, de laisser ta petite te parler comme ça

T’as bien tort, vas ma fille, de laisser ta petite te parler comme ça

Paul Gavarni (French, 1804-1866)
Il étudie sa médecine

Il étudie sa médecine (1839-1841)

Paul Gavarni (French, 1804-1866)
Le marquis de Chancelles est à Naples

Le marquis de Chancelles est à Naples (1840-1841)

Paul Gavarni (French, 1804-1866)
Study for ‘Petites causes celebres, No. 37′(‘C’est une Faussete’)

Study for ‘Petites causes celebres, No. 37′(‘C’est une Faussete’) (1840)

Paul Gavarni (French, 1804-1866)
Que voulez-vous J’irai tout seul. satané migraine tu souffres donc bien pauvre chat

Que voulez-vous J’irai tout seul. satané migraine tu souffres donc bien pauvre chat (1840)

Paul Gavarni (French, 1804-1866)
On fait des contes à l’actionnaire

On fait des contes à l’actionnaire

Paul Gavarni (French, 1804-1866)
Domino

Domino

Paul Gavarni (French, 1804-1866)
Est-il, Dieu permis, d’avoir des pensées comme ça sur la mère de son petit Joseph

Est-il, Dieu permis, d’avoir des pensées comme ça sur la mère de son petit Joseph (1840)

Paul Gavarni (French, 1804-1866)
Ils t’ont dit de jouer tant que tu voudras dans la salle à manger et ta mère. t’a donné. quatre sous. malhe

Ils t’ont dit de jouer tant que tu voudras dans la salle à manger et ta mère. t’a donné. quatre sous. malhe (1838-1840)

Paul Gavarni (French, 1804-1866)
Jésus Il vient de passer une bête

Jésus Il vient de passer une bête

Paul Gavarni (French, 1804-1866)
Décidement, mon cher ami, vous n’êtes pas de force au piquet je vous enfonce. Oui mais comme Papa vous a bien enfonc

Décidement, mon cher ami, vous n’êtes pas de force au piquet je vous enfonce. Oui mais comme Papa vous a bien enfonc (1838-1840)

Paul Gavarni (French, 1804-1866)
Harlequin’s coat; Ma’m’selle Cigale’s husband

Harlequin’s coat; Ma’m’selle Cigale’s husband (1852)

Paul Gavarni (French, 1804-1866)
Eh B’en après Quand j’aurai connu Mosieu Bélamy C’est-il une raison pour qu’on parle mal sur moi.

Eh B’en après Quand j’aurai connu Mosieu Bélamy C’est-il une raison pour qu’on parle mal sur moi. (1840-1841)

Paul Gavarni (French, 1804-1866)
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