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Paul Gavarni - Tu avais bien raison ma femme. ah bien on peut dire que voilà une rencontre bizarre

Tu avais bien raison ma femme. ah bien on peut dire que voilà une rencontre bizarre (1840)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Depuis cinq mois que je suis avec mademoiselle j’ai fait bien des paires de bottes

Depuis cinq mois que je suis avec mademoiselle j’ai fait bien des paires de bottes

Paul Gavarni (French, 1804-1866)
Le même jour machère Me laisser siffler deux hommes, deux Dont un que j’idolâtrais

Le même jour machère Me laisser siffler deux hommes, deux Dont un que j’idolâtrais

Paul Gavarni (French, 1804-1866)
Prévalu tu n’es qu’un fainéant voilà ce que tu n’es que

Prévalu tu n’es qu’un fainéant voilà ce que tu n’es que

Paul Gavarni (French, 1804-1866)
Memories of Carnival, No. 3; The tray of refreshments

Memories of Carnival, No. 3; The tray of refreshments

Paul Gavarni (French, 1804-1866)
Jésus Comment oses-tu manger des champignons

Jésus Comment oses-tu manger des champignons

Paul Gavarni (French, 1804-1866)
Toi je te repigerai

Toi je te repigerai (1840)

Paul Gavarni (French, 1804-1866)
Qu’est-ce que ce Mosieu qui sort d’ici. mais comme tu as chaud ma biche

Qu’est-ce que ce Mosieu qui sort d’ici. mais comme tu as chaud ma biche (1840)

Paul Gavarni (French, 1804-1866)
Représentation à bénéfice

Représentation à bénéfice

Paul Gavarni (French, 1804-1866)
Madame. Madame. Un billet de bal, pour un baiser de vous

Madame. Madame. Un billet de bal, pour un baiser de vous

Paul Gavarni (French, 1804-1866)
Voyons Engelina, as-tu assez fait poser Mosieu

Voyons Engelina, as-tu assez fait poser Mosieu (1840)

Paul Gavarni (French, 1804-1866)
Ma tante Amélie dit que t’es bien gentil mais que c’est dommage que tu es trop bête..

Ma tante Amélie dit que t’es bien gentil mais que c’est dommage que tu es trop bête.. (1838-1840)

Paul Gavarni (French, 1804-1866)
On demande La barbe rouge du numéro sept

On demande La barbe rouge du numéro sept (1839-1841)

Paul Gavarni (French, 1804-1866)
Arlesienne

Arlesienne

Paul Gavarni (French, 1804-1866)
Qu’est ce que c’est Tu nous dérange pour ça

Qu’est ce que c’est Tu nous dérange pour ça (1840)

Paul Gavarni (French, 1804-1866)
Allons, Mon vieux Vautour, il faut m’escompter ces petits trois cents francs là

Allons, Mon vieux Vautour, il faut m’escompter ces petits trois cents francs là (1840-1841)

Paul Gavarni (French, 1804-1866)
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