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Johannes Lingelbach - Trinker und Spieler an einer Mauer unter einem Zelt beim Brettspiel

Trinker und Spieler an einer Mauer unter einem Zelt beim Brettspiel

Johannes Lingelbach (German, 1622-1674)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1674 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Johannes Lingelbach

Johannes (or Johann) Lingelbach was a Dutch Golden Age painter, associated with the second generation of Bambocciate, a group of genre painters working in Rome from 1625–1700.

Lingelbach was born in Frankfurt, the son of David Lingelbach, a German technician, who in 1634 settled in Amsterdam with his wife and children. In 1638 the father hired and later established a labyrinth in the Jordaan. He furnished it with machines, that could move or play music and depicting biblical or mythological scenes. In the late 40s Johannes Lingelbach travelled to France (?) and Italy. After returning to Amsterdam, around 1653, Johannes married. Around 1662 Lingelbach lived in Reestraat, a small street near Prinsengracht; he became a close friend of Jurriaen Ovens.

His work began to show an influence from Philips Wouwermans' landscapes. His skill in painting genre figures is no less accomplished in his depictions of architectural and natural objects. He was often invited to paint the figures and animals within other artists landscape pieces, such as the Dutch master landscape painter, Meindert Hobbema and Jan van der Heyden. His study of architectural forms came from observing the paintings of another Bamboccianti, Viviano Codazzi, an Architectural Vedutisti, or view painter.

Lingelbach followed the style of the original Bamboccianti, Pieter van Laer, called Il Bamboccio, bringing his own Italianate style into influence of Northern European painters. He is one of the few Dutch painters of the Bamboccianti, whose works are documented in depth, making his influence greater in the progression of the style. Some of his works in Rome were once attributed to Pieter van Laer, but are now rightfully claimed to be Lingelbach’s, such as his, Roman Street Scene with Card Players, (National Gallery). These works show the Italian influence of Caravaggio in their realism and refined chiaroscuro effect, also seen in works such as Lingelbach's, Figures before a Locanda, with a View of the Piazza del Popolo, Rome, (Royal Collection). Lingelbach died in Amsterdam.

Lingelbach’s forms were accomplished in there effects of light and spatial accuracy, but much freer than that of Codazzi.

More Artworks by Johannes Lingelbach (View all 32 Artworks)

Sitzender Bauer, die Hand auf einen Krug gelegt, der vor ihm auf einer Bank steht

Sitzender Bauer, die Hand auf einen Krug gelegt, der vor ihm auf einer Bank steht

Johannes Lingelbach (German, 1622-1674)
The Battle of Lepanto, 1571, with crowded boats and men struggling to shore in the foreground

The Battle of Lepanto, 1571, with crowded boats and men struggling to shore in the foreground

Johannes Lingelbach (German, 1622-1674)
Peasants Dancing The Tarantella Outside An Inn In A Hilly Italianate Landscape

Peasants Dancing The Tarantella Outside An Inn In A Hilly Italianate Landscape

Johannes Lingelbach (German, 1622-1674)
The Departure of Charles II (1630-1685) from Scheveningen,2 June 1660

The Departure of Charles II (1630-1685) from Scheveningen,2 June 1660 (1660)

Johannes Lingelbach (German, 1622-1674)
Parish Fair

Parish Fair (1622–1674)

Johannes Lingelbach (German, 1622-1674)
Harbour on the Mediterranean

Harbour on the Mediterranean (1670)

Johannes Lingelbach (German, 1622-1674)
Battle Scene

Battle Scene (about 1651–1652)

Johannes Lingelbach (German, 1622-1674)
Peasants Dancing

Peasants Dancing (1651)

Johannes Lingelbach (German, 1622-1674)
Südliche Hafenszene, am Ufer rechts werden Güter verpackt und auf einen Esel geladen

Südliche Hafenszene, am Ufer rechts werden Güter verpackt und auf einen Esel geladen

Johannes Lingelbach (German, 1622-1674)
View on a Sourthern harbor with merchants and prisoners, a ship and the statue of Ferdinand I de’ Medici in Livorno

View on a Sourthern harbor with merchants and prisoners, a ship and the statue of Ferdinand I de’ Medici in Livorno

Johannes Lingelbach (German, 1622-1674)
Italian Marketplace with a Quack Dentist

Italian Marketplace with a Quack Dentist (1651)

Johannes Lingelbach (German, 1622-1674)
The Magdalen in a Cave

The Magdalen in a Cave (c. 1650)

Johannes Lingelbach (German, 1622-1674)
Falconers on a path with harvesters loading hay onto a wagon nearby, a valley beyond, at dusk

Falconers on a path with harvesters loading hay onto a wagon nearby, a valley beyond, at dusk (1659)

Johannes Lingelbach (German, 1622-1674)
View of the Port of Livorno

View of the Port of Livorno

Johannes Lingelbach (German, 1622-1674)
Harvesting the Hay

Harvesting the Hay

Johannes Lingelbach (German, 1622-1674)
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