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James Seymour - Training at the Pillar, Horse Wearing Bridle and Surcingle

Training at the Pillar, Horse Wearing Bridle and Surcingle

James Seymour (English, 1697-1752)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1752 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

James Seymour was an English painter, widely recognized for his equestrian art.

Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period.

Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset. Jolliffe's love for horses and art proved great, and his will would later establish an equestrian statue in Hampshire. In time, Seymour's work and fame had spread throughout Europe and America.

Though ultimately his love for horseracing led to his financial ruin, Seymour still ranks among the most important early sporting artists, together with John Wootton and Peter Tillemans being considered one of the three founders of the sporting school.

More Artworks by James Seymour (View all 85 Artworks)

Rider With a Draw-Rein, Walking to Left

Rider With a Draw-Rein, Walking to Left

James Seymour (English, 1697-1752)
A Rider in Armor, and Two Horses Lying Down

A Rider in Armor, and Two Horses Lying Down

James Seymour (English, 1697-1752)
Studies of a Jockey Whipping-On

Studies of a Jockey Whipping-On

James Seymour (English, 1697-1752)
Smiling Tom, Saddled and Bridled; Standing, Facing Left

Smiling Tom, Saddled and Bridled; Standing, Facing Left

James Seymour (English, 1697-1752)
Two Studies of Tumbler, a Dog

Two Studies of Tumbler, a Dog

James Seymour (English, 1697-1752)
A Hound Facing Left

A Hound Facing Left

James Seymour (English, 1697-1752)
A Hare Running, with Ears Pricked

A Hare Running, with Ears Pricked

James Seymour (English, 1697-1752)
Mr. Woodward, Mounted

Mr. Woodward, Mounted

James Seymour (English, 1697-1752)
Racehorse at Exercise, Ridden by a Training-Groom

Racehorse at Exercise, Ridden by a Training-Groom

James Seymour (English, 1697-1752)
The Duke of Devonshire’s Flying Childers

The Duke of Devonshire’s Flying Childers

James Seymour (English, 1697-1752)
King Charles I of England, Mounted

King Charles I of England, Mounted

James Seymour (English, 1697-1752)
Horse Walking to Left

Horse Walking to Left

James Seymour (English, 1697-1752)
Sketches of a Gelding

Sketches of a Gelding

James Seymour (English, 1697-1752)
Portrait of a Gentleman, Traditionally Identified As Fulwar, 4th Earl of Craven, On His Hunter

Portrait of a Gentleman, Traditionally Identified As Fulwar, 4th Earl of Craven, On His Hunter

James Seymour (English, 1697-1752)
Racehorse with Jockey Up; the Jockey Holds a Whip in His Teeth

Racehorse with Jockey Up; the Jockey Holds a Whip in His Teeth

James Seymour (English, 1697-1752)
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