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Andō Hiroshige - Toto Meisho Shiba Shimei

Toto Meisho Shiba Shimei (19th century)

Andō Hiroshige (Japanese, 1797 – 1858)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1858 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Andō Hiroshige

Utagawa Hiroshige, born Andō Hiroshige, was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series Thirty-six Views of Mount Fuji by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of bokashi (color gradation), both of which were rather labor-intensive techniques.
Hiroshige's work came to have a marked influence on western European painting towards the close of the 19th century as a part of the trend in Japonism. Western European artists, such as Manet and Monet, collected and closely studied Hiroshige's compositions. Vincent van Gogh even went so far as to paint copies of two of Hiroshige's prints from One Hundred Famous Views of Edo.

More Artworks by Andō Hiroshige (View all 290 Artworks)

Tokaido gojusantsugi, Pl.01

Tokaido gojusantsugi, Pl.01 (1868-1912)

Andō Hiroshige (Japanese, 1797 – 1858)
Hiratsuka

Hiratsuka (1855)

Andō Hiroshige (Japanese, 1797 – 1858)
Seki

Seki (1855)

Andō Hiroshige (Japanese, 1797 – 1858)
Nagakubo (Station 28) from the series Sixty-Nine Stations of the Kisokaido

Nagakubo (Station 28) from the series Sixty-Nine Stations of the Kisokaido (1835 or 1836)

Andō Hiroshige (Japanese, 1797 – 1858)
Shinagawa

Shinagawa (1855)

Andō Hiroshige (Japanese, 1797 – 1858)
Futagawa

Futagawa (ca. 1841–1842)

Andō Hiroshige (Japanese, 1797 – 1858)
Gathering on the Bridge

Gathering on the Bridge (19th century)

Andō Hiroshige (Japanese, 1797 – 1858)
Maisaka

Maisaka (1855)

Andō Hiroshige (Japanese, 1797 – 1858)
Nihonbashi

Nihonbashi (ca. 1841–1842)

Andō Hiroshige (Japanese, 1797 – 1858)
The Fifty-Three Stations of the Tokaido: Chiryu

The Fifty-Three Stations of the Tokaido: Chiryu (1833-1834)

Andō Hiroshige (Japanese, 1797 – 1858)
Presenting the Sword; Man Being Held

Presenting the Sword; Man Being Held (19th century)

Andō Hiroshige (Japanese, 1797 – 1858)
Picture of the Lake at Hakone, from the series 53 Stations of the Tokaido

Picture of the Lake at Hakone, from the series 53 Stations of the Tokaido (1833)

Andō Hiroshige (Japanese, 1797 – 1858)
Gathering Shellfish at Low Tide at Susaki, from the series Famous Places in Edo

Gathering Shellfish at Low Tide at Susaki, from the series Famous Places in Edo (mid-1830s)

Andō Hiroshige (Japanese, 1797 – 1858)
Servants’ Quarrel

Servants’ Quarrel (19th century)

Andō Hiroshige (Japanese, 1797 – 1858)
Goyu

Goyu (1855)

Andō Hiroshige (Japanese, 1797 – 1858)
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