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Edward Penfield - Three gringos in Central America & Venezuela by Richard Harding Davis

Three gringos in Central America & Venezuela by Richard Harding Davis (1890)

Edward Penfield (American, 1866 - 1925)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1925 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer. It is in the public domain in the United States because it was published or registered with the U.S. Copyright Office before Jan 1, 1926
Edward Penfield

Edward Penfield was an American illustrator in the era known as the "Golden Age of American Illustration" and he is considered the father of the American poster. His work has been included in almost every major book on American Illustration or the history of the poster. He is also a major figure in the evolution of graphic design.

He was born June 2, 1866 in Brooklyn, New York to Ellen Lock Moore and Josiah B. Penfield. He first studied at New York's Art Students League. He worked under George de Forest Brush, who was known for his romantic scenes of American Indian life. He first worked for Harper's Weekly and later became art director. He developed his own unique style of simplified figures with bold outlines in settings free of extraneous detail. He believed, "A design that needs study is not a poster, no matter how well executed." He wrote and published a book titled Holland Sketches, which was published by Scribner's in 1907.

Penfield lived in New Rochelle, New York, a popular art colony among actors, writers and artists of the period. The community was most well known for its unprecedented number of prominent American illustrators. He was one of the founding members of the New Rochelle Art Association which was organized in 1912.

His posters were bold and stood out from a distance with great clarity. As artists like Alphonse Mucha, Théophile Steinlen and Toulouse-Lautrec popularized the poster in Europe, Penfield accomplished the same feat in the United States. For his posters, Penfield utilized simple shapes and a limited palette of colors that lent themselves to the primitive methods of reproduction of the era.

In Collection: Book Promo Posters (View all 414)

A daughter of Judas

A daughter of Judas (1895-1911)

Anonymous
To have & to hold, by Mary Johnston

To have & to hold, by Mary Johnston (ca. 1890–1920)

Howard Pyle (American, 1853 – 1911)
Madame Sans-Gêne

Madame Sans-Gêne (1895-1911)

Anonymous
College girls by Abbe Carter Goodloe, illustrated by Charles Dana Gibson

College girls by Abbe Carter Goodloe, illustrated by Charles Dana Gibson (1895)

Remington W. Lane (American, 19th Century)
Religious books enrich life

Religious books enrich life (1920-1930)

Clinton Balmer (American, 1879–after 1921)
Jarvis of Harvard

Jarvis of Harvard (1895-1911)

Anonymous
The bow of orange ribbon

The bow of orange ribbon (1895)

Louis Frederick Hurd (American, 1853-1904)
The animals of Aesop

The animals of Aesop (1900)

Jo Mora (American, 1876 -1947)
Incomparable Bellairs by Agnes & Egerton Castle.

Incomparable Bellairs by Agnes & Egerton Castle. (1903)

Anonymous
Old Houses Of The Antient [Sic] Town Of Norwich Conn

Old Houses Of The Antient [Sic] Town Of Norwich Conn (1895 - 1911)

Anonymous
The valley path

The valley path (1895-1911)

Anonymous
The red spell, by Francis Gribble

The red spell, by Francis Gribble (ca. 1890–1920)

A.W.B. Lincoln (American, 19th/20th Century)
Bradley his book.

Bradley his book. (1896)

Will Bradley (American, 1868 – 1962)
A house-boat on the Styx

A house-boat on the Styx (1895-1911)

Anonymous
R. J.’s mother

R. J.’s mother (1895-1911)

Anonymous
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License: All public domain files can be freely used for personal and commercial projects. .
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