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William Heath - The sleeves curiously cut, Ay theres the villainy

The sleeves curiously cut, Ay theres the villainy (1827-1829)

William Heath (English, 1794-1840)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1840 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

William Heath was a British artist who once described himself as a "portrait & military painter." He was best known for his published engravings which included caricatures, political cartoons, and commentary on contemporary life.

Heath was born in Northumberland, England. His early works often dealt with military scenes, including colour plates for The Martial Achievements, The Wars of Wellington, etc., but from about 1820 on he focused on satire.

Between 1827 and 1829, many of his works were published under the pseudonym "Paul Pry" (the name of an overly inquisitive stage character in a popular 1825 stage comedy by John Poole); also used the pseudonym Argus. He was described by Dr John Brown, biographer of John Leech as "poor Heath, the ex-Captain of Dragoons, facile and profuse, unscrupulous and clever".

Heath helped found an early caricature magazine, The Glasgow Looking Glass (renamed to The Northern Looking Glass after five issues). Heath created a numbered series of political caricatures between 1830 and 1834 for McLean's Monthly.

He died in Hampstead and was buried on the western side of Highgate Cemetery. His grave (no.124) no longer has a headstone or any identifying marker. The British Museum catalogue has over 160 works by Heath.

In Collection: British Cartoons (View all 1227)

Life and opinions of Tristram Shandy, gentleman; The damnation of Obadiah.

Life and opinions of Tristram Shandy, gentleman; The damnation of Obadiah.

Henry William Bunbury (English, 1750-1811)
Country wedding

Country wedding

Denis Dighton (English, 1792 – 1827)
The passengers from the waggon arriving at the inn

The passengers from the waggon arriving at the inn (1792)

Thomas Rowlandson (English, 1756-1827)
A Welch castle

A Welch castle (1818)

Richard Dighton (English, 1795-1880)
Scenes at Brighton, or more miseries of human life

Scenes at Brighton, or more miseries of human life (1808)

Thomas Rowlandson (English, 1756-1827)
Hot goose, cabbage & cucumbers

Hot goose, cabbage & cucumbers (1923)

Thomas Rowlandson (English, 1756-1827)
The bookbinder’s wife

The bookbinder’s wife (1799)

Thomas Rowlandson (English, 1756-1827)
A view near Hyde Park corner.

A view near Hyde Park corner. (1802)

Robert Dighton (English, 1751-1814)
John Bellingham. Taken at the Sessions House, Old Bailey, May-15-1812

John Bellingham. Taken at the Sessions House, Old Bailey, May-15-1812 (1812)

Denis Dighton (English, 1792 – 1827)
A reward for past services.

A reward for past services. (1797)

Richard Newton (English, 1777 – 1798)
That’s right at him Towz damn me I’ll pit my dog against any don in the whole town, at him again, boy!.

That’s right at him Towz damn me I’ll pit my dog against any don in the whole town, at him again, boy!.

Anonymous
English Manners and French prudence or French dragoons brought to a check by a Belvoir leap. A scene after nature near Ciudad Rodrigo September 1811

English Manners and French prudence or French dragoons brought to a check by a Belvoir leap. A scene after nature near Ciudad Rodrigo September 1811 (1811)

Thomas Rowlandson (English, 1756-1827)
Kangkook

Kangkook (1819)

Richard Dighton (English, 1795-1880)
Dressing for a birthday

Dressing for a birthday (1790)

Thomas Rowlandson (English, 1756-1827)
The March of Bonnetism

The March of Bonnetism (1827-1829)

William Heath (English, 1794-1840)
View all 1227 Artworks

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License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
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