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Joseph Kenny Meadows - The prophetess [Cassandra in Troilus and Cressida, act 2, sc. 2]

The prophetess [Cassandra in Troilus and Cressida, act 2, sc. 2]

Joseph Kenny Meadows (English, 1790–1874)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1874 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Joseph Kenny Meadows

Joseph Kenny Meadows, better known as Kenny Meadows, was a British caricaturist and illustrator. He is best known for the drawings that he contributed to Punch and for his illustrations of scenes from Shakespeare's plays. Much of his work was drawn in a humorous bohemian style. He was well known for the quality of his illustrations, although the critical reception of his work was often mixed.

Meadows' first major project was Heads of the People in 1840. His acquaintance with Douglas Jerrold allowed him to become the illustrator of the project. Other contributors to the book included William Makepeace Thackeray and Leigh Hunt. He also contributed to The Illuminated Magazine, which was edited by Jerrold as well. In addition, he drew several illustrations for the Christmas editions of Illustrated London News.

Meadows became a prominent artist due to his work for Punch. He contributed fourteen total drawings to the paper. They were published in 1843 and 1844, appearing in the first through the seventh volumes. He worked very closely with John Leech while they were employed there. At the time that he first began working for Punch he was one of its oldest contributors.

William Powell Frith once described him as "perhaps the best" of Punch's early illustrators. Other critics have stated that the quality the work that he produced varied. His drawings were hailed by some commentators more thoughtful than the typical burlesque treatments the subjects of his drawings often received. Others have faulted his work for a lack of humour and inventiveness. He was often noted, however, for the youthful enthusiasm he had toward drawing.

His drawings often included the depiction of a butterfly at the mouth of a cannon, which symbolisied peace. A similar design was used by Sir Edwin Henry Landseer in a painting, and some have attributed this similarity to Meadows' influence on Landseer.

Meadows often read Shakespeare and memorised many passages. He published a volume of illustrated scenes from Shakespeare in 1843. Though he and several of his friends considered this work to be his masterpiece, some reviewers criticised his interpretations of several characters. It was particularly well received in Germany, however. He continued working on depictions of scenes from Shakespeare for his entire life.

Meadows was the son of a Naval officer and was born in Cardigan. Although his first name was Joseph, he listed his name as Kenny Meadows in professional use. He lived in Camden Town for much of his life. He was married to the sister of Archibald Henning, a fellow artist who contributed to Punch. Meadow's wife was very frugal, and he allowed her to run the household's finances. Their niece Margaret married James Hannay, who wrote for Punch in the 1850s.

Meadows, who was known to be very outgoing and a night owl, spent much of his time visiting with friends and drinking gin. He was a friend of many prominent writers, including Charles Dickens, Henry Vizetelly and William Godwin.

In Collection: Illustrations to Shakespeare (View all 1404)

Hermione and Leontes, Paulina; Nay, present your hand, Winter’s tale, act V, scene III

Hermione and Leontes, Paulina; Nay, present your hand, Winter’s tale, act V, scene III

Joseph Swain (English, 1820-1909)
Midsummer night’s dream, Puck

Midsummer night’s dream, Puck (19th century)

William Francis Starling (English, active 1833 - 1845)
As you like it, act 5, scene 1 ‘Do, good William’

As you like it, act 5, scene 1 ‘Do, good William’ (1887)

Émile-Antoine Bayard (French, 1837-1891)
Haunts of Shakespeare Pl.18

Haunts of Shakespeare Pl.18 (19th century)

Paul Braddon (English, 1864–1937)
Shakespeare invoking his characters in the plays

Shakespeare invoking his characters in the plays (1860)

George Strafford
Cymbeline; and so, away; no further with your din Express impatience, lest you stir up mine.

Cymbeline; and so, away; no further with your din Express impatience, lest you stir up mine. (1890s)

Walford Graham Robertson (English, 1866-1948)
Cymbeline, Posthumus and Imogen

Cymbeline, Posthumus and Imogen (1886-1899)

Henry Justice Ford (English, 1860–1941)
As you like it Pl.1

As you like it Pl.1

Robert Smirke (English, 1752 - 1845)
Miss Shirreff as one of the witches in Macbeth

Miss Shirreff as one of the witches in Macbeth

Augustus Toedteberg (American, 1825-1909)
Merchant of Venice, IV, 1, as played at His Majesty’s Theatre, the trial

Merchant of Venice, IV, 1, as played at His Majesty’s Theatre, the trial (1908)

Fortunino Matania
Illustrations to Merry wives of Windsor Pl.09

Illustrations to Merry wives of Windsor Pl.09 (1910)

Hugh Thomson (American, 1860-1920)
A Midsummer night’s dream; Ill met by moonlight, proud Titania

A Midsummer night’s dream; Ill met by moonlight, proud Titania (1901)

Fanny Railton (English, 19th Century)
Illustrations to Shakespeare Pl.020

Illustrations to Shakespeare Pl.020 (19th century)

John Massey Wright (English, 1777–1866)
King John, III, 4; ‘I am not mad, this hair I tear is mine, my name is Constance’

King John, III, 4; ‘I am not mad, this hair I tear is mine, my name is Constance’ (1899)

Anonymous
Two gentlemen of Verona; Eglamour Act IV, Scene III

Two gentlemen of Verona; Eglamour Act IV, Scene III (1895)

Walford Graham Robertson (English, 1866-1948)
View all 1404 Artworks

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