Artvee
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Religion
    • Mythology
    • Posters
    • Drawings
    • Illustration
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Books
  • Artists
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro
Login
Artvee
Menu
Eduardo Zamacois y Zabala - The Musicians (Music In An Antechamber)

The Musicians (Music In An Antechamber) (1866)

Eduardo Zamacois y Zabala (Spanish, 1841 - 1871)
Facebook Twitter Pinterest
Favourite
Collect

Standard, 1343 x 1800px JPG, Size: 2.11 MB

Download

Max Size, 4609 x 6178px JPG, Size: 26.29 MB

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1871 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Eduardo Zamacois y Zabala

Eduardo Zamacois y Zabala was a Spanish Academic painter who specialized in small-scale canvases. He was the father of the French writer, Miguel Zamacoïs, brother of the writer Niceto de Zamacois, the singer Elisa Zamacois and the actor Ricardo Zamacois, and also an uncle of the writer Eduardo Zamacois and the music composer Joaquín Zamacois.

Eduardo María Zamacois y Zabala was born in Bilbao, Spain; the son of Professor Miguel Antonio de Zamacois y Berreteaga (1794-1863), and his second wife, Ruperta María del Pilar de Zabala y Arauco. His father was the founder and director of the Santiago de Vizcaya School of Humanities. His relatives included numerous artists: writers, actors and musicians. Of Basque ancestry, their surname originated in Hasparren, France, where it was originally spelled "Samacoys".

He received a thorough education, which included drawing classes with a local artist named Joaquín Balaca (c.1820-?). Later, when his father's school closed, the family moved to Madrid and, in 1856, he was enrolled at the Real Academia de Bellas Artes de San Fernando, where he studied with Federico de Madrazo.

In 1860, on Madrazo's recommendation, he went to Paris and attended the classes of Charles Gleyre in preparation for applying to the Ècole des Beaux-Arts. His application there was denied, so he turned to the workshops of Ernest Meissonier, where he found a position.

A skillful business negotiator, he strove to gain access to as many European exhibitions as possible. Success came quickly. In 1861, he was commissioned to create decorative paintings in the quarters of the future king, Alfonso XII at the Palacio Real de Madrid. This work won him a grant from the Diputación Foral de Vizcaya [es], which enabled him to continue his studies. In 1862 and 1864, he was awarded medals at the National Exhibition of Fine Arts.

He was married in Paris in 1865, to Louise Marie Héloise Perrin, whom he had met at the home of his friend, Jehan Georges Vibert. They had two children: Miguel Louis Pascual, who became a well-known journalist and playwright, and a posthumous daughter, Marie Hélène, (who married the painter, Jean Alfred Marioton).

In 1866, he became good friends with the painter, Marià Fortuny, who did a portrait etching of him. During a trip to Rome, Zamacois also posed as a toreador for Fortuny's painting, The Spanish Wedding. Later, he contacted his friend, Adolphe Goupil, and put him in touch with Fortuny, which resulted in an exclusive contract with Goupil & Cie; a turning point in Fortuny's career.

In 1870, he was awarded the Gold Medal at the Salon for his painting, The Education of a Prince. After a showing in London, one of his paintings was purchased by Charles Dickens.

The Franco-Prussian War created difficulties that eventually forced him to return to Madrid. His arrival there coincided with the official coronation of King Amadeus I, and he attended the ceremonies. It was an unusually cold winter and he became ill the following day. He died there suddenly, aged 29, of what was described as "gangrenous angina" (possibly Diphtheria).

In 1878, he was awarded a posthumous diploma by the École des Beaux-Arts and a major retrospective at the Exposition Universelle. Goupil & Cie also published a large volume of photographs of his major works.

More Artworks by Eduardo Zamacois y Zabala

Returning to the Monastery

Returning to the Monastery (1868)

Eduardo Zamacois y Zabala (Spanish, 1841 - 1871)
Homme au grand chapeau

Homme au grand chapeau (1860-1870)

Eduardo Zamacois y Zabala (Spanish, 1841 - 1871)
The Wrong Moment

The Wrong Moment (circa 1868)

Eduardo Zamacois y Zabala (Spanish, 1841 - 1871)
Pélerins de dos sous la pluie

Pélerins de dos sous la pluie (1868)

Eduardo Zamacois y Zabala (Spanish, 1841 - 1871)
Jesters Playing “Cochonnet”

Jesters Playing “Cochonnet”

Eduardo Zamacois y Zabala (Spanish, 1841 - 1871)
Platonic Love

Platonic Love (1870)

Eduardo Zamacois y Zabala (Spanish, 1841 - 1871)
An Elegant Lady in a Historicist Interior

An Elegant Lady in a Historicist Interior

Eduardo Zamacois y Zabala (Spanish, 1841 - 1871)

0 Artworks
Follow
Facebook Twitter Pinterest
Favourite
Collect

Standard, JPG, Size:

Download

Max Size, JPG, Size:

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
  • Terms
  • Privacy
  • Contact us
Artvee.com 2024 All Rights Reserved
We use cookies to improve your experience on our website. By browsing this website, you agree to our use of cookies.
More info Accept
  • Sign in
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Religion
    • Mythology
    • Posters
    • Drawings
    • Illustration
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Artists
  • Books
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro