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Hans Rottenhammer - The Marriage at Cana

The Marriage at Cana (1579 – 1625)

Hans Rottenhammer (German, 1564 – 1625)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1625 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Hans Rottenhammer

Johann Rottenhammer, or Hans Rottenhammer, was a German painter. He specialized in highly finished paintings on a small scale.

He was born in Munich, where he studied until 1588 under Hans Donauer the Elder. In 1593-4 (and perhaps earlier) he was in Rome, and he then settled in Venice from 1595-6 to 1606, before returning to Germany and settling in Augsburg, working also in Munich. He died in Augsburg, apparently in some poverty, and according to some sources an alcoholic.

In Venice he gained a reputation for small highly finished cabinet paintings on copper, of religious and mythological subjects, combining German and Italian elements of style. In particular he combines the landscape tradition of the North with the compositional and figure styles of Tintoretto and Veronese. While in Venice, Rottenhammer made a copy of Albrecht Dürer's painting Feast of the Rosary, until the 19th century in the possession of the Grimani family in Venice, but since considered missing. He was the first German artist to specialize in cabinet paintings. In Rome he knew the earlier members of the Bamboccianti, a circle of Northern artists (before the name itself arose), and remained in regular contact with Paul Bril, a Flemish artist living in Rome, sending him plates with the figures painted on for Bril to supply the landscape, according to a dealer's letter of 1617. He also collaborated with Jan Brueghel the Elder in a similar way. He was commissioned in 1600 to paint a Feast of the Gods for Emperor Rudolph II (now Hermitage). A good example of his early style, in which he approaches Tintoretto, is his Death of Adonis in the Louvre.

Once back in Germany, he worked on larger altarpieces and decorative schemes for palaces, including the Munich Residenz and Schloss Bückeborg(Goldener Saal), more in the style of Northern Mannerism than his Italian work.

He is believed to have employed Adam Elsheimer as an assistant in 1598 or 1599, and no doubt gave Elsheimer an introduction to Bril; when Elsheimer moved on to Rome he and Bril became close friends. Two drawings by Rottenhammer (now in Copenhagen) belonged to Elsheimer, and have an inscription noting they were a gift from Rottenhammer. Elsheimer's mature paintings are all small and on copper, and continue to develop Rottenhammer's synthesis of German and Italian styles, and use of landscape. Among his noted works are those painted for Emperor Rudolph II of Austria: Nativity (1608), Battle Between Centaurs and Lapithæ, and four others, in the Vienna Museum.

More Artworks by Hans Rottenhammer (View all 37 Artworks)

The Fall of Man

The Fall of Man (1606)

Hans Rottenhammer (German, 1564 – 1625)
Rape of the Sabines

Rape of the Sabines (1600)

Hans Rottenhammer (German, 1564 – 1625)
Leda and the Swan

Leda and the Swan

Hans Rottenhammer (German, 1564 – 1625)
Diana Surprised at her Bath

Diana Surprised at her Bath (after 1610)

Hans Rottenhammer (German, 1564 – 1625)
Groteske Gestalten sowie zwei Kinderfiguren, vulgäre Handlungen ausführend

Groteske Gestalten sowie zwei Kinderfiguren, vulgäre Handlungen ausführend (1588)

Hans Rottenhammer (German, 1564 – 1625)
Triumphierender Christus von musizierenden Engeln umgeben

Triumphierender Christus von musizierenden Engeln umgeben

Hans Rottenhammer (German, 1564 – 1625)
Entdeckung der Schwangerschaft der Callisto

Entdeckung der Schwangerschaft der Callisto

Hans Rottenhammer (German, 1564 – 1625)
Diana and Actaeon

Diana and Actaeon

Hans Rottenhammer (German, 1564 – 1625)
Venus and Cupid

Venus and Cupid (1596)

Hans Rottenhammer (German, 1564 – 1625)
Venus and Mars

Venus and Mars (1604)

Hans Rottenhammer (German, 1564 – 1625)
The Judgment of Paris

The Judgment of Paris (1597)

Hans Rottenhammer (German, 1564 – 1625)
The Judgment of Paris

The Judgment of Paris (1600–1605)

Hans Rottenhammer (German, 1564 – 1625)
Venus & Mars

Venus & Mars (1613)

Hans Rottenhammer (German, 1564 – 1625)
The Descent of the Holy Ghost

The Descent of the Holy Ghost (late 16th–early 17th century)

Hans Rottenhammer (German, 1564 – 1625)
Christ And The Woman At The Well

Christ And The Woman At The Well

Hans Rottenhammer (German, 1564 – 1625)
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