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William Hogarth - The Laughing Audience

The Laughing Audience (1733)

William Hogarth (English, 1697-1764)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1764 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
William Hogarth

William Hogarth was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian".

Hogarth was born in London to a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge.

Influenced by French and Italian painting and engraving, Hogarth's works are mostly satirical caricatures, sometimes bawdily sexual, mostly of the first rank of realistic portraiture. They became widely popular and mass-produced via prints in his lifetime, and he was by far the most significant English artist of his generation.

More Artworks by William Hogarth (View all 114 Artworks)

Plate 7, The Idle ‘Prentice Returned from Sea and in a Garret with a Common Prostitute

Plate 7, The Idle ‘Prentice Returned from Sea and in a Garret with a Common Prostitute (1747)

William Hogarth (English, 1697-1764)
Scholars at a Lecture (A Chorus of Singers)

Scholars at a Lecture (A Chorus of Singers) (1736)

William Hogarth (English, 1697-1764)
Hudibras in Tribulation (no.6)

Hudibras in Tribulation (no.6)

William Hogarth (English, 1697-1764)
Dismemberment

Dismemberment (1725)

William Hogarth (English, 1697-1764)
The Lady’s Last Stake

The Lady’s Last Stake (circa 1759)

William Hogarth (English, 1697-1764)
Plate 3, The Idle ‘Prentice at Play in the Church Yard during Divine Service

Plate 3, The Idle ‘Prentice at Play in the Church Yard during Divine Service (1747)

William Hogarth (English, 1697-1764)
The Invasion, Plate I; France

The Invasion, Plate I; France (1756)

William Hogarth (English, 1697-1764)
The Second Stage of Cruelty; Second, Coachman Beating a Fallen Horse

The Second Stage of Cruelty; Second, Coachman Beating a Fallen Horse (1751)

William Hogarth (English, 1697-1764)
Marriage A-La-Mode – 4, The Toilette

Marriage A-La-Mode – 4, The Toilette (C.1743)

William Hogarth (English, 1697-1764)
Crucifixion

Crucifixion (1725)

William Hogarth (English, 1697-1764)
Hudibras Triumphant (no.4)

Hudibras Triumphant (no.4)

William Hogarth (English, 1697-1764)
Plate 5, The Idle ‘Prentice Turned Away, and Sent to Sea

Plate 5, The Idle ‘Prentice Turned Away, and Sent to Sea (1747)

William Hogarth (English, 1697-1764)
Benjamin Read

Benjamin Read (ca. 1757)

William Hogarth (English, 1697-1764)
Self-portrait

Self-portrait (1749)

William Hogarth (English, 1697-1764)
Gin Street

Gin Street (1750)

William Hogarth (English, 1697-1764)
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