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William Hogarth - The Lady’s Last Stake

The Lady’s Last Stake (circa 1759)

William Hogarth (English, 1697-1764)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1764 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
William Hogarth

William Hogarth was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian".

Hogarth was born in London to a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge.

Influenced by French and Italian painting and engraving, Hogarth's works are mostly satirical caricatures, sometimes bawdily sexual, mostly of the first rank of realistic portraiture. They became widely popular and mass-produced via prints in his lifetime, and he was by far the most significant English artist of his generation.

More Artworks by William Hogarth (View all 114 Artworks)

Characters and Caricatures; subscription ticket for ‘Marriage à la Mode’

Characters and Caricatures; subscription ticket for ‘Marriage à la Mode’ (1743)

William Hogarth (English, 1697-1764)
Hudibras’s First Adventure (no.3)

Hudibras’s First Adventure (no.3)

William Hogarth (English, 1697-1764)
George Taylor’s Epitaph: George Taylor Breaking the Ribs of Death

George Taylor’s Epitaph: George Taylor Breaking the Ribs of Death (ca. 1750)

William Hogarth (English, 1697-1764)
Subscription Ticket for; ‘Four Prints of an Election’

Subscription Ticket for; ‘Four Prints of an Election’ (1754)

William Hogarth (English, 1697-1764)
Plate 8, The Industrious ‘Prentice Grown Rich and Sheriff of London

Plate 8, The Industrious ‘Prentice Grown Rich and Sheriff of London (1747)

William Hogarth (English, 1697-1764)
The Wedding of Stephen Beckingham and Mary Cox

The Wedding of Stephen Beckingham and Mary Cox (1729)

William Hogarth (English, 1697-1764)
Plate 6, The Industrious ‘Prentice Out of his Time and Married to his Master’s Daughter

Plate 6, The Industrious ‘Prentice Out of his Time and Married to his Master’s Daughter (1747)

William Hogarth (English, 1697-1764)
Crucifixion

Crucifixion (1725)

William Hogarth (English, 1697-1764)
Decimation

Decimation (1725)

William Hogarth (English, 1697-1764)
Eine Dame läßt sich von einem Astrologen wahrsagen

Eine Dame läßt sich von einem Astrologen wahrsagen

William Hogarth (English, 1697-1764)
Hudibras and the Lawyer (no.7)

Hudibras and the Lawyer (no.7)

William Hogarth (English, 1697-1764)
Plate 3, The Idle ‘Prentice at Play in the Church Yard during Divine Service

Plate 3, The Idle ‘Prentice at Play in the Church Yard during Divine Service (1747)

William Hogarth (English, 1697-1764)
Self-portrait

Self-portrait (1749)

William Hogarth (English, 1697-1764)
The Four Stages of Cruelty; Cruelty in Perfection (The Murderer)

The Four Stages of Cruelty; Cruelty in Perfection (The Murderer) (1751)

William Hogarth (English, 1697-1764)
John Palmer, Barrister of the Inner Temple

John Palmer, Barrister of the Inner Temple

William Hogarth (English, 1697-1764)
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