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Henry William Bunbury - The full blown Macaroni.

The full blown Macaroni. (1772)

Henry William Bunbury (English, 1750-1811)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1811 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Henry William Bunbury

Henry William Bunbury was an English caricaturist.

The second son of Sir William Bunbury, 5th Baronet (see Bunbury baronets), of Mildenhall, Suffolk, he came of an old Norman family. He was educated at Westminster School and St Catharine's College, Cambridge, and soon showed a talent for drawing, especially for humorous subjects. He temporarily left Cambridge to embark on a tour of Europe, during which time he may have studied in Rome; he returned to school in 1771 but is not known to have completed a degree. His European travels inspired a series of caricatures mocking foreigners, notably his La cuisine de la poste, exhibited at the Royal Academy in 1770.

His more serious efforts were no great success, but his caricatures are as famous as those of his contemporaries Thomas Rowlandson and James Gillray, good examples being his Country Club (1788), Barber's Shop (1803) and A Long Story (1782). He was a popular character, and the friend of most of the notabilities of his day, whom he never offended by attempting political satire; his easy circumstances and social position (he was colonel of the West Suffolk Militia, and was appointed equerry to the Duke of York and Albany in 1787) allowed him leisure to practise his talents.

The Oxford Dictionary of National Biography describes his A Long Minuet as Danced at Bath as the most successful of his lifetime, using an "innovative story-telling" format that is considered a forerunner to the comic strip. His caricatures were regularly reissued, even as he turned his attention to other subjects: he finished half of a commissioned set of 48 drawings of Shakespearean works before abandoning the series in 1796, and after the death of his wife and eldest son he took up oil painting.

In August 1771 he married Catherine, eldest daughter of Kane William Horneck and his wife Hannah Muggles. Bunbury and Catherine's second son Henry succeeded to the baronetcy.

In Collection: British Cartoons (View all 1227)

Witches in a hay loft

Witches in a hay loft

Thomas Rowlandson (English, 1756-1827)
Billingsgate Market

Billingsgate Market (1808)

Thomas Rowlandson (English, 1756-1827)
The North Pole discovered – or better luck than Capt-Parry.

The North Pole discovered – or better luck than Capt-Parry.

William Heath (English, 1794-1840)
Deadly lively

Deadly lively (1815)

Thomas Rowlandson (English, 1756-1827)
Dutch merchants. Sketched at Amsterdam

Dutch merchants. Sketched at Amsterdam (1796)

Thomas Rowlandson (English, 1756-1827)
Cit’s airing themselves on Sunday

Cit’s airing themselves on Sunday (1799)

Thomas Rowlandson (English, 1756-1827)
The country club

The country club

Thomas Rowlandson (English, 1756-1827)
Trois Dogs; a Graphic Tale, with a Moral… for Those Who Can Find It Out!

Trois Dogs; a Graphic Tale, with a Moral… for Those Who Can Find It Out! (1834)

John Doyle (Irish, 1797 – 1868)
Foundling Hospital, the Chapel.

Foundling Hospital, the Chapel. (1808)

Thomas Rowlandson (English, 1756-1827)
The last gasp, or Toadstools mistaken for mushrooms

The last gasp, or Toadstools mistaken for mushrooms

Thomas Rowlandson (English, 1756-1827)
Wild Irish or Paddy from Cork, with his coat buttoned behind

Wild Irish or Paddy from Cork, with his coat buttoned behind (1812)

Thomas Rowlandson (English, 1756-1827)
A Contest between Oppression and Reason, On the Best Way of Settleing Debates

A Contest between Oppression and Reason, On the Best Way of Settleing Debates (1795)

William O'Keefe (English, 18th Century)
Sunday morning

Sunday morning (1827)

George Hunt (English, active 1824-1831)
Free trade – Westminster review – January, 1830 No. XXIII.

Free trade – Westminster review – January, 1830 No. XXIII. (1830)

William Heath (English, 1794-1840)
The Danger Over or Billy’s Return to John Bull

The Danger Over or Billy’s Return to John Bull (1798)

Charles Ansell (English, active 1752–1790)
View all 1227 Artworks

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