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William Heath - The Charleys in grief or the funeral of the city watch boxe’s.

The Charleys in grief or the funeral of the city watch boxe’s. (1829)

William Heath (English, 1794-1840)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1840 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

William Heath was a British artist who once described himself as a "portrait & military painter." He was best known for his published engravings which included caricatures, political cartoons, and commentary on contemporary life.

Heath was born in Northumberland, England. His early works often dealt with military scenes, including colour plates for The Martial Achievements, The Wars of Wellington, etc., but from about 1820 on he focused on satire.

Between 1827 and 1829, many of his works were published under the pseudonym "Paul Pry" (the name of an overly inquisitive stage character in a popular 1825 stage comedy by John Poole); also used the pseudonym Argus. He was described by Dr John Brown, biographer of John Leech as "poor Heath, the ex-Captain of Dragoons, facile and profuse, unscrupulous and clever".

Heath helped found an early caricature magazine, The Glasgow Looking Glass (renamed to The Northern Looking Glass after five issues). Heath created a numbered series of political caricatures between 1830 and 1834 for McLean's Monthly.

He died in Hampstead and was buried on the western side of Highgate Cemetery. His grave (no.124) no longer has a headstone or any identifying marker. The British Museum catalogue has over 160 works by Heath.

In Collection: British Cartoons (View all 1227)

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The brilliants

The brilliants (1801)

Thomas Rowlandson (English, 1756-1827)
Thou Art Weighed in the Balances, and Art Found Wanting

Thou Art Weighed in the Balances, and Art Found Wanting (1788)

John Kirby Baldrey
Miseries of wedlock; The tables turned

Miseries of wedlock; The tables turned

Thomas Rowlandson (English, 1756-1827)
House-breakers

House-breakers (1791)

Thomas Rowlandson (English, 1756-1827)
The tooth-ache, or, torment & torture

The tooth-ache, or, torment & torture (1823)

Thomas Rowlandson (English, 1756-1827)
The chamber of genius

The chamber of genius

Thomas Rowlandson (English, 1756-1827)
Mother Goose of Oxford.

Mother Goose of Oxford. (1807)

Robert Dighton (English, 1751-1814)
Postiglione Inglese

Postiglione Inglese (1772)

Henry William Bunbury (English, 1750-1811)
Winding up to a pitch, the automaton Scaramouch, – or, – Harlequin courier’s delight.

Winding up to a pitch, the automaton Scaramouch, – or, – Harlequin courier’s delight. (1821)

Theodore Lane (English, 1800–1828)
Coxheath ho!.

Coxheath ho!. (1779)

Henry William Bunbury (English, 1750-1811)
A Noble Lord, on an Approching Peace, Too Busy to attend to the Expenditure of a Million of the Public Money

A Noble Lord, on an Approching Peace, Too Busy to attend to the Expenditure of a Million of the Public Money (1787)

James Sayers (English, 1748 – 1823)
Much Ado About Nothing or Illustrations of Sayings Pl.2

Much Ado About Nothing or Illustrations of Sayings Pl.2 (1828)

John Phillips
View of the Observatory. Oxford

View of the Observatory. Oxford (1810)

Thomas Rowlandson (English, 1756-1827)
Christmas gambols

Christmas gambols (1812)

Thomas Rowlandson (English, 1756-1827)
View all 1227 Artworks

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License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
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