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John Hamilton Mortimer - The Captive

The Captive

John Hamilton Mortimer (English, 1740-1779)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1779 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
John Hamilton Mortimer

John Hamilton Mortimer was a British figure and landscape painter and printmaker, known for romantic paintings set in Italy, works depicting conversations, and works drawn in the 1770s portraying war scenes, similar to those of Salvator Rosa.

Mortimer became President of the Society of Artists in 1774, five years before his death at age 39.

Mortimer was born on 17 September 1740 at Eastbourne. His father, Thomas Mortimer, was a customs officer, a dealer in flour and owner of several mills. By 1757, while he was still young, Mortimer was studying in London at the Duke of Richmond's Academy. During this time he became a friend of Joseph Wright, a fellow student at the Academy - a friendship which would endure throughout Mortimer's life. Mortimer is also known to have had some professional relationship with the artist Samuel Ireland, who was involved with etching his work. At the St Martin's Lane Academy his fellow students included Thomas Jones and William Pars. Mortimer also studied under Cipriani, Robert Edge Pine, and Sir Joshua Reynolds.
In 1759, Mortimer won a first prize for a study after Michelangelo's Bacchus and a second prize for a life drawing. He began to exhibit his works on a regular basis in the early 1760s, becoming an active member of the Society of Artists, which awarded him prizes for paintings of subjects from British history in 1763 and 1764. The second of these prizes was for a picture entitled St Paul Preaching to the Ancient Druids in Britain (now in the Guildhall in High Wycombe). He became president of the society in 1774.

Mortimer painted the figures for several paintings by Thomas Jones, working on the Welsh artist's A Land Storm, with the Story of Dido and Aeneas (1769), The Death of Orpheus (c.1770) and a pair of paintings based on Milton's Allegro and Penseroso, commissioned by Benjamin Bates (1774).

In the 1770s Mortimer was associated with more masculine, and criminal, presentation of the male form after a period of more effete images. His painting Sir Arthegal, the Knight of Justice, with Talus, the Iron Man is used as an example of this style. He was inspired by both the work and the legend of the life of the seventeenth-century Neapolitan painter, Salvator Rosa, who it was claimed, had been brought up by bandits. Mortimer first exhibited a painting of a bandit subject in 1772, and later made an etching after Rosa'a self-portrait.

From 1770 to 1773 he was engaged in the decoration of the saloon at Brocket Hall, Hertfordshire, where he was assisted by Thomas Jones, Francis Wheatley, James Durno, and Burnaby Mayor

In 1775 he married Jane Hurrel, which affected his artistic productivity.

Owing to his membership of the Society of Artists, Mortimer did not exhibit at the Royal Academy until 1778, when he showed five works, including Sir Arthegel and three scenes with Italian bandits. On 2 November of the same year he was elected an Associate of the Royal Academy.

He died of undocumented causes on 4 February 1779.

More Artworks by John Hamilton Mortimer (View all 151 Artworks)

Death on a Pale Horse

Death on a Pale Horse (ca. 1775)

John Hamilton Mortimer (English, 1740-1779)
Tragedy

Tragedy (1778)

John Hamilton Mortimer (English, 1740-1779)
Study for ‘The Rustic Dancers’

Study for ‘The Rustic Dancers’ (c. 1770-1774)

John Hamilton Mortimer (English, 1740-1779)
Figure Studies

Figure Studies

John Hamilton Mortimer (English, 1740-1779)
Ophelia, from Hamlet, Act IV, Scene 7

Ophelia, from Hamlet, Act IV, Scene 7 (1775)

John Hamilton Mortimer (English, 1740-1779)
A Young Man with his Indian Servant Holding a Portfolio

A Young Man with his Indian Servant Holding a Portfolio (ca. 1765)

John Hamilton Mortimer (English, 1740-1779)
Successful Monster

Successful Monster (1778)

John Hamilton Mortimer (English, 1740-1779)
Two Women and a Man

Two Women and a Man

John Hamilton Mortimer (English, 1740-1779)
Soldiers with Pack-Horse

Soldiers with Pack-Horse

John Hamilton Mortimer (English, 1740-1779)
Bardolph

Bardolph (1775 or 1776)

John Hamilton Mortimer (English, 1740-1779)
Cassandra, from Troilus and Cressida, Act II, Scene 4

Cassandra, from Troilus and Cressida, Act II, Scene 4

John Hamilton Mortimer (English, 1740-1779)
Studies of Heads

Studies of Heads

John Hamilton Mortimer (English, 1740-1779)
An Aga of the Janizaries

An Aga of the Janizaries (1779)

John Hamilton Mortimer (English, 1740-1779)
Tragedy

Tragedy (1778)

John Hamilton Mortimer (English, 1740-1779)
A Choral Band

A Choral Band (ca. 1777)

John Hamilton Mortimer (English, 1740-1779)
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