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Camille Pissarro - The Bell Tower of Bazincourt

The Bell Tower of Bazincourt (1885)

Camille Pissarro (French, 1830-1903)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1903 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Camille Pissarro

Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.

In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the "dean of the Impressionist painters", not only because he was the oldest of the group, but also "by virtue of his wisdom and his balanced, kind, and warmhearted personality". Paul Cézanne said "he was a father for me. A man to consult and a little like the good Lord", and he was also one of Paul Gauguin's masters. Pierre-Auguste Renoir referred to his work as "revolutionary", through his artistic portrayals of the "common man", as Pissarro insisted on painting individuals in natural settings without "artifice or grandeur".

Pissarro is the only artist to have shown his work at all eight Paris Impressionist exhibitions, from 1874 to 1886. He "acted as a father figure not only to the Impressionists" but to all four of the major Post-Impressionists, Cézanne, Seurat, Gauguin, and van Gogh.

More Artworks by Camille Pissarro (View all 463 Artworks)

L’Anse des Pilotes, après-midi, temps ensoleillé, Le Havre

L’Anse des Pilotes, après-midi, temps ensoleillé, Le Havre (1903)

Camille Pissarro (French, 1830-1903)
Le Grand Noyer À Eragny, Automne

Le Grand Noyer À Eragny, Automne (circa 1890)

Camille Pissarro (French, 1830-1903)
Paysanne au puits

Paysanne au puits (1891)

Camille Pissarro (French, 1830-1903)
Two Women Chatting by the Sea,St. Thomas

Two Women Chatting by the Sea,St. Thomas (1856)

Camille Pissarro (French, 1830-1903)
Jardins de Kew

Jardins de Kew (1893)

Camille Pissarro (French, 1830-1903)
La clairière

La clairière (circa 1875)

Camille Pissarro (French, 1830-1903)
Vue de Rouen, Cours-la-Reine

Vue de Rouen, Cours-la-Reine

Camille Pissarro (French, 1830-1903)
Poultry Market at Gisors

Poultry Market at Gisors (1885)

Camille Pissarro (French, 1830-1903)
Nude Women

Nude Women (c. 1896)

Camille Pissarro (French, 1830-1903)
Chemin creux, environs de Chailly

Chemin creux, environs de Chailly ( 1860)

Camille Pissarro (French, 1830-1903)
Wooded Landscape at L’Hermitage, Pontoise

Wooded Landscape at L’Hermitage, Pontoise (1879)

Camille Pissarro (French, 1830-1903)
Les quatre baigneuses

Les quatre baigneuses (1895)

Camille Pissarro (French, 1830-1903)
The Crystal Palace

The Crystal Palace (1871)

Camille Pissarro (French, 1830-1903)
The Harvest, Pontoise (La Récolte, Pontoise)

The Harvest, Pontoise (La Récolte, Pontoise) (1881)

Camille Pissarro (French, 1830-1903)
La bonne faisant son marché

La bonne faisant son marché (1888)

Camille Pissarro (French, 1830-1903)
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