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Sir John Everett Millais - Study of a Pottery Jug (recto)

Study of a Pottery Jug (recto) (c. 1842)

Sir John Everett Millais (English, 1829-1896)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1896 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Sir John Everett Millais

Sir John Everett Millais was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting Christ in the House of His Parents (1849-50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, Ophelia, in 1851–52.

By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais notoriously allowed one of his paintings to be used for a sentimental soap advertisement). While these and early 20th-century critics, reading art through the lens of Modernism, viewed much of his later production as wanting, this perspective has changed in recent decades, as his later works have come to be seen in the context of wider changes and advanced tendencies in the broader late nineteenth-century art world, and can now be seen as predictive of the art world of the present. Millais's personal life has also played a significant role in his reputation. His wife Effie was formerly married to the critic John Ruskin, who had supported Millais's early work. The annulment of the marriage and her wedding to Millais have sometimes been linked to his change of style, but she became a powerful promoter of his work and they worked in concert to secure commissions and expand their social and intellectual circles.

More Artworks by Sir John Everett Millais (View all 182 Artworks)

The tribe of Benjamin seizing the daughters of Shiloh in the vineyards

The tribe of Benjamin seizing the daughters of Shiloh in the vineyards

Sir John Everett Millais (English, 1829-1896)
Lorenzo and Isabella

Lorenzo and Isabella (1848 - 1849)

Sir John Everett Millais (English, 1829-1896)
The Martyr of the Solway

The Martyr of the Solway (About 1871)

Sir John Everett Millais (English, 1829-1896)
Three Swordhilts

Three Swordhilts (1839)

Sir John Everett Millais (English, 1829-1896)
Yes or No?

Yes or No? (1871)

Sir John Everett Millais (English, 1829-1896)
Awful Protection Against Midges

Awful Protection Against Midges (1853)

Sir John Everett Millais (English, 1829-1896)
Elgiva seized by order of Archbishop Odo

Elgiva seized by order of Archbishop Odo (1847)

Sir John Everett Millais (English, 1829-1896)
An Evening Party

An Evening Party (1846)

Sir John Everett Millais (English, 1829-1896)
Sketches of Armour – Study for Henry VIII

Sketches of Armour – Study for Henry VIII (1844)

Sir John Everett Millais (English, 1829-1896)
A Widow’s Mite

A Widow’s Mite (1870)

Sir John Everett Millais (English, 1829-1896)
Waiting

Waiting (1854)

Sir John Everett Millais (English, 1829-1896)
Pizarro Seizing the Inca of Peru

Pizarro Seizing the Inca of Peru (1846)

Sir John Everett Millais (English, 1829-1896)
The Rich Man and Lazarus

The Rich Man and Lazarus (1864)

Sir John Everett Millais (English, 1829-1896)
The Prodigal Son

The Prodigal Son (1864)

Sir John Everett Millais (English, 1829-1896)
Reverie

Reverie (1868)

Sir John Everett Millais (English, 1829-1896)
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