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Pierre-Paul Prud'hon - Study for Une Famille dans la désolation

Study for Une Famille dans la désolation (ca. 1821)

Pierre-Paul Prud'hon (French, 1758-1823)
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Why is this image in the public domain?
The Artist died in 1823 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Pierre-Paul Prud'hon

Pierre-Paul Prud'hon was a French Romantic painter and draughtsman best known for his allegorical paintings and portraits such as Madame Georges Anthony and Her Two Sons (1796). Notably, he painted a portrait of each of Napoleon's two wives.

He was an early influence on Théodore Géricault.

Pierre-Paul Prud'hon was born in Cluny, Saône-et-Loire, France. He received his artistic training in the French provinces and went to Italy when he was twenty-six years old to continue his education. On his return to Paris, he found work decorating some private mansions. His work for wealthy Parisians led him to be held in high esteem at Napoleon's court.

His painting of Josephine portrays her not as an Empress, but as a lovely, attractive woman, which led some to think that he might have been in love with her. After the divorce of Napoleon and Josephine, he was also employed by Napoleon' s second wife Marie-Louise.

Prud'hon was at times clearly influenced by Neo-classicism, at other times by Romanticism. Appreciated by other artists and writers such as Stendhal, Delacroix, Millet and Baudelaire for his chiaroscuro and convincing realism, he is probably most famous for his Crucifixion (1822), which he painted for St. Etienne's Cathedral in Metz. Crucifixion now hangs in the Louvre.

The young Théodore Géricault had painted copies of work by Prud'hon, whose "thunderously tragic pictures" include his masterpiece, Justice and Divine Vengeance Pursuing Crime, where oppressive darkness and the compositional base of a naked, sprawled corpse obviously anticipate Géricault's painting The Raft of the Medusa.

More Artworks by Pierre-Paul Prud'hon (View all 115 Artworks)

Apollo And The Nine Muses On Mount Parnassus

Apollo And The Nine Muses On Mount Parnassus

Pierre-Paul Prud'hon (French, 1758-1823)
Portrait de Charles-Maurice de Talleyrand-Périgord (1754-1838), en habit de grand chambellan

Portrait de Charles-Maurice de Talleyrand-Périgord (1754-1838), en habit de grand chambellan (1807)

Pierre-Paul Prud'hon (French, 1758-1823)
Lavinie Barbier-Walbonne, Later Baronne Darriule

Lavinie Barbier-Walbonne, Later Baronne Darriule

Pierre-Paul Prud'hon (French, 1758-1823)
Le Matin

Le Matin (1800)

Pierre-Paul Prud'hon (French, 1758-1823)
Le Soir

Le Soir (1800)

Pierre-Paul Prud'hon (French, 1758-1823)
Head of a muse

Head of a muse

Pierre-Paul Prud'hon (French, 1758-1823)
Les Préparatifs de la guerre ou Les Apprêts de l’Amour

Les Préparatifs de la guerre ou Les Apprêts de l’Amour

Pierre-Paul Prud'hon (French, 1758-1823)
Minerve Leading The Genius Of Arts To Immortality

Minerve Leading The Genius Of Arts To Immortality (1824)

Pierre-Paul Prud'hon (French, 1758-1823)
La Peinture

La Peinture (1810)

Pierre-Paul Prud'hon (French, 1758-1823)
Les dévideurs

Les dévideurs (1800)

Pierre-Paul Prud'hon (French, 1758-1823)
Adonis

Adonis (c. 1810-1812)

Pierre-Paul Prud'hon (French, 1758-1823)
Head of a Woman

Head of a Woman (1800–1810)

Pierre-Paul Prud'hon (French, 1758-1823)
Portrait de Charles Maurice de Talleyrand

Portrait de Charles Maurice de Talleyrand (1807)

Pierre-Paul Prud'hon (French, 1758-1823)
Justice and Divine Vengeance Pursuing Crime

Justice and Divine Vengeance Pursuing Crime (About 1805–1806)

Pierre-Paul Prud'hon (French, 1758-1823)
Puppies

Puppies (1790s)

Pierre-Paul Prud'hon (French, 1758-1823)
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