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James Ward - Studies of Pigs

Studies of Pigs

James Ward (English, 1769-1859)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1859 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
James Ward

James Ward was a British painter, particularly of animals, and an engraver.

Born in London, and younger brother of William Ward the engraver, James Ward was influenced by many people, but his career is conventionally divided into two periods: until 1803, his single greatest influence was his brother in law George Morland; from that time, it was Rubens. From 1810 or so, Ward started to paint horses within landscapes; slightly later, he turned to very large-scale landscapes, of which Gordale Scar (Tate, London), completed in 1814 or 1815 and depicting Gordale Scar (Yorkshire) as an example of the sublime, is considered his masterpiece and a masterpiece of English Romantic painting.

Ward devoted much of the period 1815-21 to the painting of a gigantic work titled Allegory of Waterloo (now lost); this neither was much praised nor brought in the revenue Ward had hoped for. The experience may have embittered him, and the deaths of his first wife and a daughter were among other tragedies. Like many artists of the time, Ward sought commissions from wealthy gentry of their favorite horses, their favorite hunting dogs or their children.

One such family that Ward painted and drew repeatedly, and whom he counted among his friends, were the Levett family of Wynchnor Park, Staffordshire. One of Ward's best-known portraits was his Theophilus Levett hunting at Wychnor, Staffordshire of 1817. Another was Ward's 1811 painting entitled The Reverend Thomas Levett and his favourite dogs, cock-shooting. Ward also painted a group portrait of three Levett children — John, Theophilus and Frances Levett.

More Artworks by James Ward (View all 201 Artworks)

Henry James William Ward, Son of the Artist

Henry James William Ward, Son of the Artist

James Ward (English, 1769-1859)
Study of a Sleeping Dog

Study of a Sleeping Dog

James Ward (English, 1769-1859)
Sea Breaking on Stony Cliffs at Left

Sea Breaking on Stony Cliffs at Left

James Ward (English, 1769-1859)
The Escape; Two Greyhounds Coursing A Hare

The Escape; Two Greyhounds Coursing A Hare

James Ward (English, 1769-1859)
Elijah Casting off His Mantle

Elijah Casting off His Mantle

James Ward (English, 1769-1859)
Dr. Syntax, a Bay Racehorse, Standing in a Coastal Landscape, an Estuary Beyond

Dr. Syntax, a Bay Racehorse, Standing in a Coastal Landscape, an Estuary Beyond (1820)

James Ward (English, 1769-1859)
Disappointment

Disappointment (1841)

James Ward (English, 1769-1859)
Rustic Felicity

Rustic Felicity

James Ward (English, 1769-1859)
Sir Charles Blunt Hunting the Boar and Escaping From the Tiger

Sir Charles Blunt Hunting the Boar and Escaping From the Tiger

James Ward (English, 1769-1859)
A Border Leicester Ewe

A Border Leicester Ewe (1795-1800)

James Ward (English, 1769-1859)
A Canopied Boat and Two Rowing Boats at a Jetty; Inset Left, a Pencil Study of the Tintern Livestock Ferry-boat

A Canopied Boat and Two Rowing Boats at a Jetty; Inset Left, a Pencil Study of the Tintern Livestock Ferry-boat

James Ward (English, 1769-1859)
Two Studies of a Tiger; above; Head and Shoulders; below; Hindquarters

Two Studies of a Tiger; above; Head and Shoulders; below; Hindquarters

James Ward (English, 1769-1859)
Studies after Anthony van Dyck’s Portrait of Arthur Goodwin

Studies after Anthony van Dyck’s Portrait of Arthur Goodwin (1825)

James Ward (English, 1769-1859)
The Cossack, Gregory Yelloserf

The Cossack, Gregory Yelloserf (1814)

James Ward (English, 1769-1859)
Study For ‘sides All’; The Bunch Of Grapes Tavern, Kensington

Study For ‘sides All’; The Bunch Of Grapes Tavern, Kensington

James Ward (English, 1769-1859)
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