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Otto Greiner - Studies of Men in Togas (recto)

Studies of Men in Togas (recto)

Otto Greiner (German, 1869-1916)
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Why is this image in the public domain?
The Artist died in 1916 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Otto Greiner

Otto Greiner began his artistic career training as a lithographer in his home town of Leipzig. In 1888 he was awarded a bursary enabling him to continue his studies at the Academy of Art in Munich. At a Munich exhibition he encountered the work of Max Klinger – already a leading figure in contemporary art. The encounter proved to be life-changing. Greiner resolved to establish contact with Klinger in Italy. A first meeting took place in Rome in 1891. A friendship quickly developed and Klinger actively encouraged his younger colleague in his work. Both artists firmly rejected the view some critics held that theirs was a teacher-pupil relationship.

Greiner quickly recognized Italy as his spiritual home. He settled in Rome permanently in 1898, moving into Klinger’s former studio near the Colosseum. He was in contact with and highly regarded by the community of German artists living and working in Rome. When Italy entered the war in 1915 he was obliged to return to Munich. He died in Munich in 1916 after contracting pneumonia.

Greiner was a printmaker and draughtsman of pre-eminent talent but he also aspired to public recognition as a painter. Many of his paintings are monumental in format and draw on mythological subjects, often depicting nudes in Italianate landscapes. Notable examples are Ulysses and the Sirens (formerly Museum der bildenden Künste, Leipzig), Hercules and Omphale (Staatsgalerie, Stuttgart) and Prometheus (National Gallery of Canada, Toronto). He produced a large body of studies, working in ink, charcoal, red chalk, gouache and coloured crayon. These drawings underline the precision of his working methods and his confident handling of materials, techniques and subjects, combined with remarkable compositional skill and virtuoso draughtsmanship. Depictions of the human figure were central to his interests – his predilection for particularly complex poses had few parallels at the time. His masterly portrait drawings and nudes are his major artistic legacy.

More Artworks by Otto Greiner (View all 35 Artworks)

Klassischer Skulpturen Schatz. Verlagsanstalt F. Bruckmann

Klassischer Skulpturen Schatz. Verlagsanstalt F. Bruckmann (1896)

Otto Greiner (German, 1869-1916)
Porträt des Zeichenlehrers Arthur Haferkorn

Porträt des Zeichenlehrers Arthur Haferkorn (1890)

Otto Greiner (German, 1869-1916)
Studies for a Boatman

Studies for a Boatman

Otto Greiner (German, 1869-1916)
Cover design for ‘Klassischer Skulpurenschatz’

Cover design for ‘Klassischer Skulpurenschatz’ (late 19th century)

Otto Greiner (German, 1869-1916)
Male nude

Male nude (1896)

Otto Greiner (German, 1869-1916)
Christmas Program of the Cantata Monday of the German Booksellers Association; Goodbye

Christmas Program of the Cantata Monday of the German Booksellers Association; Goodbye (1893-1897)

Otto Greiner (German, 1869-1916)
Female Nude

Female Nude (1912)

Otto Greiner (German, 1869-1916)
Study of a Female Dancer

Study of a Female Dancer (late 19th–early 20th century)

Otto Greiner (German, 1869-1916)
Odysseus und Sirenen

Odysseus und Sirenen (1897)

Otto Greiner (German, 1869-1916)
Die Hexen

Die Hexen (1910)

Otto Greiner (German, 1869-1916)
Dedication to Max Klinger

Dedication to Max Klinger (1898)

Otto Greiner (German, 1869-1916)
Elegant Young Woman in Classical Drapery

Elegant Young Woman in Classical Drapery (c. 1895)

Otto Greiner (German, 1869-1916)
Golgotha

Golgotha (1900)

Otto Greiner (German, 1869-1916)
Herkules Bei Omphale

Herkules Bei Omphale

Otto Greiner (German, 1869-1916)
Female nudes

Female nudes (1891 - 1915)

Otto Greiner (German, 1869-1916)
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