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Eugène Delacroix - Studies of Lions

Studies of Lions (c. 1829)

Eugène Delacroix (French, 1798-1863)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1863 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Eugène Delacroix

Ferdinand Victor Eugène Delacroix was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.

In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in often violent action.

However, Delacroix was given to neither sentimentality nor bombast, and his Romanticism was that of an individualist. In the words of Baudelaire, "Delacroix was passionately in love with passion, but coldly determined to express passion as clearly as possible." Together with Ingres, Delacroix is considered one of the last old Masters of painting, and one of the few who was ever photographed.

As a painter and muralist, Delacroix's use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement. A fine lithographer, Delacroix illustrated various works of William Shakespeare, the Scottish author Walter Scott and the German author Johann Wolfgang von Goethe.

More Artworks by Eugène Delacroix (View all 325 Artworks)

Musicians

Musicians

Eugène Delacroix (French, 1798-1863)
The Old Bridge at Nantes

The Old Bridge at Nantes (c. 1827)

Eugène Delacroix (French, 1798-1863)
A Moroccan Couple on Their Terrace

A Moroccan Couple on Their Terrace (1832)

Eugène Delacroix (French, 1798-1863)
Figures in Medieval Costume (Tracings from the ‘Nuremberg Chronicle’)

Figures in Medieval Costume (Tracings from the ‘Nuremberg Chronicle’) (ca. 1822–30)

Eugène Delacroix (French, 1798-1863)
Battle Scene with a Prisoner Being Bound, after Raphael

Battle Scene with a Prisoner Being Bound, after Raphael (ca. 1823)

Eugène Delacroix (French, 1798-1863)
Hamlet and Polonius (Act II, scene ii)

Hamlet and Polonius (Act II, scene ii) (1864)

Eugène Delacroix (French, 1798-1863)
Vue présumée du jardin de Champrosay

Vue présumée du jardin de Champrosay

Eugène Delacroix (French, 1798-1863)
Head of a Horse, after the Parthenon

Head of a Horse, after the Parthenon (ca. 1825)

Eugène Delacroix (French, 1798-1863)
Standing nude athlete; seated man with a lyre; centaur; and seven putti (three with wings)

Standing nude athlete; seated man with a lyre; centaur; and seven putti (three with wings) (1798–1863)

Eugène Delacroix (French, 1798-1863)
Studies of a Rearing Horse Attacked by a Lion and a Lion Wrestling with a Serpent

Studies of a Rearing Horse Attacked by a Lion and a Lion Wrestling with a Serpent (1830s)

Eugène Delacroix (French, 1798-1863)
Arabere fra Oran

Arabere fra Oran (1833)

Eugène Delacroix (French, 1798-1863)
Le corps de garde à Meknès

Le corps de garde à Meknès (1847)

Eugène Delacroix (French, 1798-1863)
Sketches of Tigers and Men in 16th Century Costume

Sketches of Tigers and Men in 16th Century Costume (1828–29)

Eugène Delacroix (French, 1798-1863)
Halbfigur Einer Marokkanerin

Halbfigur Einer Marokkanerin (1839)

Eugène Delacroix (French, 1798-1863)
A Jewish Woman of Algiers

A Jewish Woman of Algiers (1833)

Eugène Delacroix (French, 1798-1863)
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