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William Heath - Stratagem better than force.

Stratagem better than force. (1830)

William Heath (English, 1794-1840)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1840 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

William Heath was a British artist who once described himself as a "portrait & military painter." He was best known for his published engravings which included caricatures, political cartoons, and commentary on contemporary life.

Heath was born in Northumberland, England. His early works often dealt with military scenes, including colour plates for The Martial Achievements, The Wars of Wellington, etc., but from about 1820 on he focused on satire.

Between 1827 and 1829, many of his works were published under the pseudonym "Paul Pry" (the name of an overly inquisitive stage character in a popular 1825 stage comedy by John Poole); also used the pseudonym Argus. He was described by Dr John Brown, biographer of John Leech as "poor Heath, the ex-Captain of Dragoons, facile and profuse, unscrupulous and clever".

Heath helped found an early caricature magazine, The Glasgow Looking Glass (renamed to The Northern Looking Glass after five issues). Heath created a numbered series of political caricatures between 1830 and 1834 for McLean's Monthly.

He died in Hampstead and was buried on the western side of Highgate Cemetery. His grave (no.124) no longer has a headstone or any identifying marker. The British Museum catalogue has over 160 works by Heath.

In Collection: British Cartoons (View all 1227)

General Bonaparte.

General Bonaparte. (19th century)

Anonymous
A view taken at Oxford.

A view taken at Oxford. (1808)

Robert Dighton (English, 1751-1814)
Me & my wife and daughter. O terque quaterque beati.

Me & my wife and daughter. O terque quaterque beati.

Henry William Bunbury (English, 1750-1811)
The Sands

The Sands (1813)

Thomas Rowlandson (English, 1756-1827)
A visit to the camp.

A visit to the camp.

Henry William Bunbury (English, 1750-1811)
A view of a Lake.

A view of a Lake. (1818)

Richard Dighton (English, 1795-1880)
Bony’s visions or a great little man’s night comforts.

Bony’s visions or a great little man’s night comforts. (1811)

Anonymous
The man of taste

The man of taste

Thomas Rowlandson (English, 1756-1827)
Stratagem better than force

Stratagem better than force (1827-1829)

William Heath (English, 1794-1840)
Jack Tar admiring the fair sex

Jack Tar admiring the fair sex (1815)

Thomas Rowlandson (English, 1756-1827)
The surprise

The surprise (1799)

Thomas Rowlandson (English, 1756-1827)
A naval Enquiry with a ‘Naughtical’ Explanation

A naval Enquiry with a ‘Naughtical’ Explanation (1805)

Charles Williams (English, ?-1830)
Greedy old Nickford eating oysters, leaving the poor devils from minor hells in a starving condition.

Greedy old Nickford eating oysters, leaving the poor devils from minor hells in a starving condition. (1829)

William Heath (English, 1794-1840)
Buck’s beauty and Rowlandson’s connoisseur

Buck’s beauty and Rowlandson’s connoisseur (1800)

Thomas Rowlandson (English, 1756-1827)
A magic lantern.

A magic lantern. (1808)

Anonymous
View all 1227 Artworks

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License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
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