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Bartolomeo Passarotti - Standing Putto Seen From the Back

Standing Putto Seen From the Back (1570-75)

Bartolomeo Passarotti (Italian, 1529–1592)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1592 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Bartolomeo Passarotti

Bartolomeo Passarotti or Passerotti (1529–1592) was an Italian painter of the mannerist period, who worked mainly in his native Bologna. His family name is also spelled Passerotti or Passarotto.

From approximately 1550 to 1555, he lived in Rome, where he worked under Giacomo Barozzi da Vignola and Taddeo Zuccari. Upon returning to Bologna, he established a large studio and, from 1564 tp 1565, was engaged in painting a large altarpiece for the Basilica of San Giacomo Maggiore. In his later work, he turned to Tuscan models, such as Giorgio Vasari and Prospero Fontana. His last known work was The Presentation of Mary in the Temple, from 1583, now at the Pinacoteca Nazionale di Bologna.

He influenced many Bolognese who would later play a role in the rise of the Baroque. Annibale Carracci (whose brother Agostino studied with Passerotti) was influenced by Passerotti's genre scenes in a select set of paintings (such as The Beaneater and The Butcher's Shop, the latter being originally attributed to Passerotti). Lucio Massari and Francesco Brizzi were among his pupils. Three of Passerotti's sons, including Ventura (1566–1618), Aurelio (1560–1609) and Tiburzio, were painters.

More Artworks by Bartolomeo Passarotti (View all 23 Artworks)

Ecce Homo

Ecce Homo

Bartolomeo Passarotti (Italian, 1529–1592)
The head of the Virgin with the Annunciation

The head of the Virgin with the Annunciation

Bartolomeo Passarotti (Italian, 1529–1592)
Standing Putto Seen from the Front; Study for the Virgin in Glory with Saints Petronius, Dominic, and Peter Martyr

Standing Putto Seen from the Front; Study for the Virgin in Glory with Saints Petronius, Dominic, and Peter Martyr (1570-75)

Bartolomeo Passarotti (Italian, 1529–1592)
Männlicher Akt mit wehendem Mantel schreitet über einen in starker Verkürzung am Boden Liegenden hinweg

Männlicher Akt mit wehendem Mantel schreitet über einen in starker Verkürzung am Boden Liegenden hinweg

Bartolomeo Passarotti (Italian, 1529–1592)
Ecce Homo

Ecce Homo

Bartolomeo Passarotti (Italian, 1529–1592)
Kneeling Putto Holding a Head

Kneeling Putto Holding a Head

Bartolomeo Passarotti (Italian, 1529–1592)
Double portrait of musicians

Double portrait of musicians (between 1577 and 1579)

Bartolomeo Passarotti (Italian, 1529–1592)
Old Matron and Young Woman

Old Matron and Young Woman

Bartolomeo Passarotti (Italian, 1529–1592)
Portrait Of Giulio Franchini

Portrait Of Giulio Franchini

Bartolomeo Passarotti (Italian, 1529–1592)
The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist

The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist (ca 1580)

Bartolomeo Passarotti (Italian, 1529–1592)
Saints Jerome and Francis of Assisi Adoring the Trinity

Saints Jerome and Francis of Assisi Adoring the Trinity (c. 1570)

Bartolomeo Passarotti (Italian, 1529–1592)
Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana (between 1570 and 1575)

Bartolomeo Passarotti (Italian, 1529–1592)
Male Nudes Fighting

Male Nudes Fighting (1563-1572)

Bartolomeo Passarotti (Italian, 1529–1592)
Studies of a Left Arm, a Young Woman, a Madonna and Child, a Face in Profile and Nude Figures

Studies of a Left Arm, a Young Woman, a Madonna and Child, a Face in Profile and Nude Figures

Bartolomeo Passarotti (Italian, 1529–1592)
Ideal Bust of a Woman

Ideal Bust of a Woman

Bartolomeo Passarotti (Italian, 1529–1592)
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