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Paul Gavarni - Standing Man

Standing Man

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Saprelotte Mosieu Arthur, vous me permettez de vous dire que ça ne peut pas toujours durer comme ça

Saprelotte Mosieu Arthur, vous me permettez de vous dire que ça ne peut pas toujours durer comme ça

Paul Gavarni (French, 1804-1866)
On va pincer son petit cancan, mais bien en douceur

On va pincer son petit cancan, mais bien en douceur (1840)

Paul Gavarni (French, 1804-1866)
Ô Henry Henry mon Dieu, mon Dieu. Heureusement que ton Amedée te reste

Ô Henry Henry mon Dieu, mon Dieu. Heureusement que ton Amedée te reste (1840)

Paul Gavarni (French, 1804-1866)
Ce Mosieu Ernest est assez bien. moi çà ma dégoute, ah

Ce Mosieu Ernest est assez bien. moi çà ma dégoute, ah (1840)

Paul Gavarni (French, 1804-1866)
-. une douzaine d’huîtres et mon coeur. – Ta parole

-. une douzaine d’huîtres et mon coeur. – Ta parole (1840)

Paul Gavarni (French, 1804-1866)
On ne peut pas parler à mademoiselle elle fait ses ongles

On ne peut pas parler à mademoiselle elle fait ses ongles

Paul Gavarni (French, 1804-1866)
The Penitent Magdalene

The Penitent Magdalene

Paul Gavarni (French, 1804-1866)
Les femmes donnent au diable les romans

Les femmes donnent au diable les romans (1839)

Paul Gavarni (French, 1804-1866)
C’est comme ça que tu les intrigues. Merci

C’est comme ça que tu les intrigues. Merci (1840)

Paul Gavarni (French, 1804-1866)
Eh Mon cher ne te plains pas Tu seras médecin, de serai procureur du roi

Eh Mon cher ne te plains pas Tu seras médecin, de serai procureur du roi (1839-1841)

Paul Gavarni (French, 1804-1866)
Est-ce aussi votre tuteur qui laisse des épingles noires sur votre oreiller

Est-ce aussi votre tuteur qui laisse des épingles noires sur votre oreiller (1839-1841)

Paul Gavarni (French, 1804-1866)
Ma tante Amélie qui disait l’autre jour à Maman. Des grises quoi donc dis

Ma tante Amélie qui disait l’autre jour à Maman. Des grises quoi donc dis (1838-1840)

Paul Gavarni (French, 1804-1866)
Mosieu, on ne peut pas voir papa, il est en train de faire faillite

Mosieu, on ne peut pas voir papa, il est en train de faire faillite (1838-1840)

Paul Gavarni (French, 1804-1866)
Allons souper Qu’est ce qui en joue

Allons souper Qu’est ce qui en joue (1839-1841)

Paul Gavarni (French, 1804-1866)
Ma bonne bisque, va M’man, de se lever comme ça de bonne heure. mais il était joliment sucré le café

Ma bonne bisque, va M’man, de se lever comme ça de bonne heure. mais il était joliment sucré le café (1838-1840)

Paul Gavarni (French, 1804-1866)
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