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Jean Brusselmans - Staketsel

Staketsel (1952)

Jean Brusselmans (Belgian, 1884-1953)
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Jean Brusselmans

Jean Brusselmans was a Belgian painter. He developed his own style and, whereas he is often considered a representative of Flemish Expressionism, he refused to associate himself with any art movement. He was not very well known during his life, and had difficulties selling his work, but posthumously he was recognized as one of important Belgian painters of the 20th century.

More Artworks by Jean Brusselmans (View all 95 Artworks)

Self-portrait with Paruck

Self-portrait with Paruck (1920)

Jean Brusselmans (Belgian, 1884-1953)
Huiselijke scène

Huiselijke scène

Jean Brusselmans (Belgian, 1884-1953)
Compositie van figuren in een driehoek

Compositie van figuren in een driehoek (1933)

Jean Brusselmans (Belgian, 1884-1953)
Vrouw op de sofa met kat op haar schoot

Vrouw op de sofa met kat op haar schoot (1920)

Jean Brusselmans (Belgian, 1884-1953)
La mer, la digue, les dunes

La mer, la digue, les dunes (1950)

Jean Brusselmans (Belgian, 1884-1953)
Port de pêche

Port de pêche (1929)

Jean Brusselmans (Belgian, 1884-1953)
Tuinen

Tuinen (1934)

Jean Brusselmans (Belgian, 1884-1953)
Ouvriers

Ouvriers (1915)

Jean Brusselmans (Belgian, 1884-1953)
Contes d’Horace Van Offel – Sept flèches

Contes d’Horace Van Offel – Sept flèches (1934-1935)

Jean Brusselmans (Belgian, 1884-1953)
Winterlandschap (Sneeuwlandschap)

Winterlandschap (Sneeuwlandschap) (1925)

Jean Brusselmans (Belgian, 1884-1953)
Archer

Archer (1935)

Jean Brusselmans (Belgian, 1884-1953)
Le tramway

Le tramway (1920)

Jean Brusselmans (Belgian, 1884-1953)
Bunch of trees

Bunch of trees (1936)

Jean Brusselmans (Belgian, 1884-1953)
Studie voor L’élagueur

Studie voor L’élagueur (1930)

Jean Brusselmans (Belgian, 1884-1953)
Buitenscène met twee vrouwen en een kind

Buitenscène met twee vrouwen en een kind

Jean Brusselmans (Belgian, 1884-1953)
View all 95 Artworks

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License: All public domain files can be freely used for personal and commercial projects. .
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