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Zolo Palugyay - Smoldering Autumn Fire

Smoldering Autumn Fire (1933)

Zolo Palugyay (Slovak, 1898-1935)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1935 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Zolo Palugyay

Zoltán Palugyay was a Slovak painter.
The life’s work of Zoltán Palugyay, considered a formative pillar of Slovakia’s modern art, ended prematurely in a tragic death long before his fortieth year. In the short time he had, he came to be of one mind with the Slovak modern. What is more, together with his artistic partner Janko Alexy, his experienced and persuasive European-ness became a unique condition of his questing for and discovery of a Slovak idiom in modern painting. His knowledge of contemporary international art was embellished by studies and productive stays in Budapest, Krakow, Munich and Paris, and empowered by a desire to paint pictures both modern and Slovak. Together this drove him to a professional and amicable generational alliance with Janko Alexy and Miloš A. Bazovský. Their joint exhibition activity of several years in the 1930s, in the towns and villages of an awakening Slovakia, both realized the national program’s unwritten principles and became the freest creative period in terms of the acceptance of modern art’s principles.

Even if Zoltán Palugyay never forsook the confines of the secessionist-expressionist style, he created a balladic image that went with domestic lyric prose and surrealist poetry – as influenced by the psychology of Edvard Munch and the symbolism of Paul Gauguin, and wrapped in the fluidity of the Slovak landscape. The enlarged detail in Landscape with Flowers (Nirvana) became the iconic archetype for a series of Palugyay’s paintings in his most productive period in the 1930s. His stylization of shapes and colors, in a reeling line of secessionist rhythm and tones ostensibly decorative, paradoxically combine to underline the picture’s symbolic message.

More Artworks by Zolo Palugyay (View all 225 Artworks)

Girl in a White Scarf

Girl in a White Scarf (1931)

Zolo Palugyay (Slovak, 1898-1935)
Winter in the mountains

Winter in the mountains (1930)

Zolo Palugyay (Slovak, 1898-1935)
In the Forest in Autumn

In the Forest in Autumn (1928–1933)

Zolo Palugyay (Slovak, 1898-1935)
Fog over a Fish Pond

Fog over a Fish Pond (1929)

Zolo Palugyay (Slovak, 1898-1935)
V ateliéri

V ateliéri (1930)

Zolo Palugyay (Slovak, 1898-1935)
Štúdia stromov

Štúdia stromov (1917)

Zolo Palugyay (Slovak, 1898-1935)
Village Church

Village Church (1931)

Zolo Palugyay (Slovak, 1898-1935)
Watering (Horse Drinking from a River under an Arch Bridge)

Watering (Horse Drinking from a River under an Arch Bridge) (1930)

Zolo Palugyay (Slovak, 1898-1935)
Pri stole

Pri stole (1930)

Zolo Palugyay (Slovak, 1898-1935)
Les

Les (1935)

Zolo Palugyay (Slovak, 1898-1935)
Cottages in the Mountains

Cottages in the Mountains (1931)

Zolo Palugyay (Slovak, 1898-1935)
Nude

Nude (1923)

Zolo Palugyay (Slovak, 1898-1935)
Veľká Vysoká

Veľká Vysoká (1934)

Zolo Palugyay (Slovak, 1898-1935)
Study of an Old Tree

Study of an Old Tree (1923)

Zolo Palugyay (Slovak, 1898-1935)
Snowy Mountainside

Snowy Mountainside (1931)

Zolo Palugyay (Slovak, 1898-1935)
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View all 225 Artworks

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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
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